A rather stale continuation of the engaging love story introduced in Domovitch’s previous novel.
Domovitch’s sequel to Scorpio Rising (2011) continues the love story of Alex and Brigitte, this time in America.
When Alex Ivanov returns to New York from Paris with his new bride, Brigitte, and her young son, David, his ambition and lust for power threaten their happiness. Once a penniless aspiring architect whose job fell victim to the scheming of a fellow employee, Alex begins to find success in real estate development; through his ruthlessness and daring, he soon becomes a wealthy, powerful developer. Realizing that her own promising career as a painter is incompatible with Alex’s ambition to break into high society, Brigitte gives up art and devotes herself to helping her husband, despite his growing aloofness. As the years pass, Alex begins grooming David to become his successor, without consideration for David’s own artistic inclinations and disregard for material wealth. In denial of Alex’s prolific, indiscreet philandering, Brigitte continues to efface herself in service to her husband—to both her and her son’s detriment. Though Alex achieves success beyond most people’s wildest dreams, it never seems to be enough; he begins to overreach, taking on increasingly risky projects that threaten to bankrupt his company. While Alex deals with a personal tragedy and an increasingly fractured marriage, the company’s precarious position is threatened even further. Alex now stands to lose everything, even his family. Unfortunately, the sequel is weaker than the original title. Alex’s megalomania and Brigitte’s rejection of her own goals are rendered too simplistically to be compelling. David is hardly developed as a character, despite his importance to the plot. Brigitte’s passivity throughout the novel comes as a disappointment; she’s much less dynamic than she was in the first book, so the deterioration of her marriage is less affecting than it could have been. Alex’s seamless rise from poverty to social prominence strains credibility at times, and the depiction of his business dealings is rather unsophisticated. One problem may be that the novel spans more years than its predecessor, whereby few events or emotional developments are explored in enough detail to provide the depth that could save the plot from cliché.
A rather stale continuation of the engaging love story introduced in Domovitch’s previous novel.Pub Date: Oct. 18, 2011
ISBN: 978-1466242340
Page Count: 328
Publisher: CreateSpace
Review Posted Online: June 4, 2012
Review Program: Kirkus Indie
BOOK REVIEW
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
