Calming, positive, and serenely affirmative.
A simple recitation of the ways that people can be supportive of one another.
“This book was written in the spirit of reconciliation and is dedicated to the children, families and staff of Aboriginal Head Start programs.” That is the dedication; at the end, there is a longer note about notorious Indian Residential schools, where, for over 150 years, indigenous children in Canada were humiliated and abused. In between, all the words and art offer a warm and positive message. Simple and pointed phrases are printed boldly on white or pastel backgrounds on half of each double-page spread, with stylized, bright, watercolor illustrations on each opposing page. Each brown- or tan-skinned face has cheeks with outlined, bright pink circles; other features are sweetly expressive lines of ink, sometimes including little hearts for mouths. Birds, flowers, and gaily patterned wallpapers add to a feeling of contentment and communal power. The image of an adult and two children, eyes closed, singing outside by moonlight and beating on drums, is especially strong, as is an illustration of two hugging children of different skin colors and hair types. The titular phrase “You hold me up,” followed by simple words such as “when you listen to me,” is used several times until the final pages, where it is replaced by “I hold you up” and “We hold each other up.” A final, multigenerational picnic is lovely.
Calming, positive, and serenely affirmative. (author’s note) (Picture book. 3-7)Pub Date: Oct. 31, 2017
ISBN: 978-1-4598-1447-9
Page Count: 28
Publisher: Orca
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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