by Mordecai Richler ‧ RELEASE DATE: May 20, 1992
Quebec-born Richler (Solomon Gursky Was Here, 1990, etc.) undertakes a backgrounder to that province's independence movement, with several large flashes of illuminating absurdity about the passionate Quebecois. A referendum will be held this October to determine whether Quebec should ask for independence from Canada. The province has already added a raft of debatable laws to its books, such as one that forbids English-language or bilingual commercial signs on Montreal's streets. Today, Richler tells us, wary shopkeepers welcome customers ``in a fail-safe combination of English and French, singing out, `Hi, bonjour.' '' Moreover, zealots who run Montreal's French Catholic school board shocked even separatists ``with a demand that immigrant students who were caught shooting the breeze in English in the schoolyards should be severely punished.'' And so it goes, with even intellectual Francophones as blinkered and narrow-minded as peasants in a Marcel Pagnol comedy. Actually, Richler explains, 40 percent of Canadians are of neither French nor English extraction; they are of Polish, Greek, Ukrainian, and Italian descent, with growing Chinese, Sikh, African, and Central American enclaves, who will soon form a majority of Canada's populace. Richler also laments Canada's ``functional but nondescript'' cities, the demolition of its oldest buildings and their replacement by entrenched ugliness of ``the utmost banality.'' He offers a lively description of the Mohawk Indians' uprising against the incursion of a golf course into their burial grounds—an uprising that forced a mortified Quebec to call in the Canadian army—and he sees independence as diminishing Quebec into ``being a folkloric society. A place that people come from. Ireland without that country's genius or terrible beauty.'' Unlike most of Richler, largely for Canadians; for a look at Canada that's more accessible to those south of the border, try Jan Morris's O Canada (p. 307).
Pub Date: May 20, 1992
ISBN: 0-679-41246-8
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
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by Mordecai Richler & illustrated by Michael Chesworth
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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