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LITTLE SISTER FOR SALE

After little Abby not only cuts the hair of Kate's favorite doll but borrows Kate's toothbrush (``Maybe it fell in the toilet,'' Abby suggests when confronted), Kate has had enough. Adapting their lemonade stand, she offers Abby at a bargain price. Friend Chad points out the difficulties (``It's against the law...Your mom and dad are going to be mad. They like her''); another nice neighbor suggests that $1.99 is ``too much for such a little Homo sapiens''—he'd prefer lemonade; and Abby begins to bargain and to make friends again with her not-so-unwilling sister. But it's white-haired Nonna next door who clinches Kate's feelings by making what she describes as a final purchase: and it's not long before Kate, definitely lonely now, is knocking on Nonna's door to get Abby back. The rather long text moves quickly, enlivened by its apt, amusing dialogue. In her brisk, colorful pen-and-watercolor illustrations, Fiammenghi affectionately exaggerates the girls' expressions, setting the events in an all-white city neighborhood of row houses. A warm, satisfying story of natural rivalry resolved—for the moment. (Picture book. 4-8)

Pub Date: Feb. 1, 1992

ISBN: 0-525-65078-4

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1992

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A DOG NAMED SAM

A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1996

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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