Adler, who characterizes philosophy as "rational talk about the basic problems of mankind," is occasionally too talky, but...

HOW TO THINK ABOUT THE GREAT IDEAS

FROM THE GREAT BOOKS OF WESTERN CIVILIZATION

This collection of transcripts from a 50-year-old educational TV series has its creaky moments, but overall it is surprisingly fresh, containing much sound thinking on a variety of philosophical questions.

As if embarrassed to reveal the book's age, the publishers neglect to mention until the afterword that its contents were originally broadcast in 1953 – 54 as a series of 52 weekly half-hour TV shows. This material has been shaped into 52 chapters on the "Great Ideas": e.g., truth; knowledge and opinion; good and evil; beauty and art; law and government; philosophy; and God. Each idea is rationally investigated, on the assumption that clear thinking can yield some knowledge and sharpen some questions. As a window into television's early days, the book has curiosity value: viewers of the time evidently considered it good television to watch Adler (Art, the Arts, and the Great Ideas, 1994, etc.) discourse on philosophy with his sidekick Lloyd Luckman. Try selling that format to a network today! In some ways the show was forward-looking: viewers interacted with Adler, sending written queries that were answered the following week, like a slow-motion Internet forum. Other touches seem musty: references to President Eisenhower and the burning issue of "conformity versus dissent," and the absence of references to non-Western writings. Much of the content is familiar from Adler's other books, padded with the wordiness endemic to speech. Even so, the encyclopedic scope on issues of genuinely perennial interest is welcome, as is Adler's refreshingly non-postmodern optimism about the power of philosophy to discover truth.

Adler, who characterizes philosophy as "rational talk about the basic problems of mankind," is occasionally too talky, but for the most part delivers the rational discourse he promises.

Pub Date: May 1, 2000

ISBN: 0-8126-9412-0

Page Count: 544

Publisher: Open Court

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2000

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A very welcome instance of philosophy that can help readers live a good life.

THE ART OF SOLITUDE

A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.

“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.

A very welcome instance of philosophy that can help readers live a good life.

Pub Date: Feb. 18, 2020

ISBN: 978-0-300-25093-0

Page Count: 200

Publisher: Yale Univ.

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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An erudite and artful, though frustratingly restrained, look at Old Testament stories.

THE BOOK OF GENESIS ILLUSTRATED

The Book of Genesis as imagined by a veteran voice of underground comics.

R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.

An erudite and artful, though frustratingly restrained, look at Old Testament stories.

Pub Date: Oct. 19, 2009

ISBN: 978-0-393-06102-4

Page Count: 224

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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