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AS IF!

THE ORAL HISTORY OF CLUELESS AS TOLD BY AMY HECKERLING AND THE CAST AND CREW

For Clueless obsessives—and perhaps Jane Austen fans.

The legacy of the 1995 movie described as "a Rodeo Drive version of Jane Austen's Emma.”

Pop-culture journalist Chaney, a former staff writer for the Washington Post, examines the enduring popularity of the teen comedy Clueless, written and directed by Amy Heckerling. The movie is an update of Austen's 1815 comedy of manners about a spoiled, self-assured matchmaker. Chaney’s interview subjects, who include the film’s producers, filmmakers, designers, actors, and artists, repeatedly "express[ed] feelings often bathed in warmth and nostalgia for a time that not only shaped their careers but, on many days, was just a joy.” Many of the contributors coo over star Alicia Silverstone's adorable nature—e.g., associate producer Twink Caplan: "she was so pure, Alicia, so sweet and just a joy, just really a joy, you know.” The tell-all aspect of the book consists of saccharine and tedious accounts about how it was "a happy movie to watch and…a largely happy movie to make as well” and how the set was “a harmonious, low-key environment.” As composer David Kitay notes, “it was just this awesome haze of fun.” Later, Chaney argues weakly for "The Impact of Clueless" since the movie's release—though “the virgin who can’t drive” remains timeless—and she oversteps in her claim that it demonstrates how women in the early 21st century are disciples of protagonist Cher Horowitz. The author focuses more on the movie's influence on fashion and language than her subchapter titled "The Impact of Clueless on: Girl Power and Progressiveness" would suggest. Her position that Clueless was a culturally significant movie with an enduring legacy is more fitting for Heckerling—who proved the Hollywood naysayers wrong about the film's marketability, eventually selling it to Scott Rudin—and the resourceful and assertive women in media and academia who followed her.

For Clueless obsessives—and perhaps Jane Austen fans.

Pub Date: July 7, 2015

ISBN: 978-1-4767-9908-7

Page Count: 336

Publisher: N/A

Review Posted Online: June 2, 2015

Kirkus Reviews Issue: June 15, 2015

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NO NAME IN THE STREET

James Baldwin has come a long way since the days of Notes of a Native Son, when, in 1955, he wrote: "I love America more than any other country in the world; and exactly for this reason, I insist on the right to criticize her perpetually." Such bittersweet affairs are bound to turn sour. The first curdling came with The Fire Next Time, a moving memoir, yet shot through with rage and prophetic denunciations. It made Baldwin famous, indeed a celebrity, but it did little, in retrospect, to further his artistic reputation. Increasingly, it seems, he found it impossible to reconcile his private and public roles, his creative integrity and his position as spokesman for his race. Tell Me How Long the Train's Been Gone, for example, his last novel, proved to be little more than a propagandistic potboiler. Nor, alas, are things very much better in No Name In the Street, a brief, rather touchy and self-regarding survey of the awful events of the '60's — the deaths of Malcolm X and Martin Luther King, the difficulties of the Black Panther Party, the abrasive and confused relationships between liberals and militants. True, Baldwin's old verve and Biblical raciness are once more heard in his voice; true, there are poignant moments and some surprisingly intimate details. But this chronicle of his "painful route back to engagement" never really comes to grips with history or the self. The revelatory impulse is present only in bits and pieces. Mostly one is confronted with psychological and ideological disingenuousness — and vanity as well.

Pub Date: May 26, 1972

ISBN: 0307275922

Page Count: -

Publisher: Dial Books

Review Posted Online: Sept. 16, 2011

Kirkus Reviews Issue: May 1, 1972

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HOWARD STERN COMES AGAIN

A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.

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  • New York Times Bestseller

The self-described “king of all media” shares personal introspection and favorite celebrity interviews in his first book in two decades.

Stern (Miss America, 1995, etc.) is in top form in this entertaining amalgam of intimate confessional and Q-and-A archive. Opting for an older, wiser perspective this time around, the author strips away the juvenile raunch and sophomoric humor that made his first books runaway bestsellers. The book’s introduction, a meaty, contemplative 19-page affair, finds Stern, 65, candidly discussing his struggles with OCD, random regrets (namely his treatment of Robin Williams and Rosie O’Donnell), greatest moments (interviews with Conan O’Brien and Paul McCartney, animal rescue efforts), his move to SiriusXM in 2006, and the day he inexplicably took a rare show-day off to attend to an undisclosed cancer scare. It’s a kinder, gentler, all-grown-up side of the shock jock, which he credits to aggressive psychotherapy and his second wife, Beth. However, it’s the intimate, provocative celebrity interviews that make up the bulk of this weighty tome and which the author admits “represent my best work and show my personal evolution.” With his advancing age came wisdom, humility, empathy, and a dramatic sea change in the show’s direction and focus, as evidenced in more nuanced, probing interviews with Courtney Love, Joan Rivers, Michael J. Fox, Chris Cornell, and Lady Gaga, among others. Stern introduces each conversation with his personal perspective on the individual and the impression they made. His honest conversations with actors, music legends, and others represent an eclectic cross-section of celebrities, and his questions range from the piercing to the downright ridiculous. Perhaps the book’s most startling interview segments are those with a pre-presidential Donald Trump, whom Stern has interviewed dozens of times. Throughout the book, which is divided into thematic sections (“Sex & Relationships,” “Money & Fame,” “Drugs & Sobriety,” “Gone Too Soon,” etc.), the author’s personal growth and enduring legacy as a broadcast pioneer and unique profiler are on full display.

A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.

Pub Date: May 14, 2019

ISBN: 978-1-5011-9429-0

Page Count: 560

Publisher: Simon & Schuster

Review Posted Online: May 20, 2019

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