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OFF THE WELL-LIT PATH

A thrilling and moving story of love and desperation.

Awards & Accolades

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A desperate man tries to recover his teenage daughter, kidnapped in Mexico. 

Bob Rugg and his 13-year-old daughter, Rose, travel to Mexico together with plans to relax on a sun-drenched beach. But they’re intercepted by gangsters who steal Rugg’s truck and abscond with Rose. Rugg, shot and left for dead, somehow survives. He’s brought to a hospital, where one of his legs is amputated. Hobbled but determined, he takes it upon himself to track Rose down, afraid that if he reports the crime, he’ll forfeit his only real advantage—the gangsters don’t know he’s alive and coming for them. Rugg only has the most meager of leads. For example, he remembers that a young thug with a pronounced limp lifted his wallet. Holm (Driller, 2016) alternates between two dueling narratives: a third-person perspective that focuses on Rugg and a first-person account from the perch of Rayo, a newly recruited gavillero under the rule of El Sin, the crime boss who runs the outfit that abducted Rose. The author artfully swings between two viewpoints worlds apart, capturing the vulnerabilities Rugg and Rayo share: Both submitted to the despotic calculations of El Sin. Rugg takes extraordinary risks to find his daughter and finds that the line that separates law enforcement from organized crime is capriciously drawn.  Holm beautifully combines two typically incongruent fictional genres: a gripping, action-packed novel and an emotionally astute drama. His writing is poetically austere at times, invoking the hard-boiled prose of Cormac McCarthy: “The streets daylit. Rugg saw laborers with bundled lunches and water jugs, some riding bicycles, their lives lived beyond his troubles. Their troubles borne beyond what his life would know.” The author refuses to traffic in facile caricatures or easy moral distinctions: Rayo is a sympathetic character because of, not despite, his imperfections, and even El Sin, as dastardly as he is, is permitted a human side. And Rugg is a deliciously complex character—a former pilot and soldier, he radiates a grizzled toughness and a cynical wisdom born of loss and despair. Holm could have made him into a formulaic action hero—cinematically invincible—but he avoids that shopworn trope. And the surfeit of action the book does deliver unfolds in captivating language, the violence terrifyingly real, the danger sickeningly ubiquitous: “The desert without gully or outcrop. A vanished sea had left Rugg no concealment beyond the holes of long dead foraminifera, their benthic shells crunching under his feet. He ran with his mouth blooded and agape, as though in astonishment at a newly broken world, one where masked marauders set a man free so that they might shoot him in the back.” This is certainly not a feel-good story or for those in search of lighthearted entertainment. Holm asks a lot of his reader, both to understand the plot and to stomach the violence. But the author repays that labor with a memorable literary experience. 

A thrilling and moving story of love and desperation. 

Pub Date: Aug. 16, 2019

ISBN: 978-0-9974553-8-0

Page Count: 128

Publisher: Sentry Books

Review Posted Online: March 13, 2019

Kirkus Reviews Issue: May 1, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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