by Munawar Ali Karim ‧ RELEASE DATE: Nov. 15, 2019
A compelling and illuminating call for recognizing America’s earliest Muslims.
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A work of historical criticism advocates a thorough investigation of Islam’s impact on U.S. slavery.
Most people probably don’t associate American slaves with Islam. But as Karim explains in his debut book, Islam was an influential force within Africa and a continuing presence in the lives of many African American slaves. “The study of African Muslim slaves and their impact upon the various aspects of slave culture, African-American and American culture in general, has remained wanting,” writes the author in his introduction, arguing that ignoring this area of history simplifies African American identity and reinforces Orientalist notions of a clear divide between East and West. After offering an account of the way that various figures within academia have been receptive or hostile to investigating the Islamic faith among some American slaves, Karim goes into a history of the religion in Africa and its state at the time of the trans-Atlantic slave trade. He then profiles three known Muslim slaves in America: Job Ben Solomon (Ayyub bin Suleiman), who was born in Senegal and ended up in Maryland; ’Abd al-Rahman Ibrahima, a nobleman from Guinea who was known as “the Prince of Natchez” during his time in Mississippi; and Ben Ali (Salih Bilali), born in Mali and transported to Georgia. By examining their narratives and highlighting their relationships to their faith, the author sheds light on a long-overlooked corner of the American experience. Karim concludes the book by examining the complex place Islam holds in American life today, within the black community and outside of it. Islam continues to be depicted as a boogeyman by Donald Trump and his political allies even as opponents of the president who wish to counter that narrative hold up Muslims as increasingly valued participants in American life. The author’s prose is scholarly without being dry, and during the slave narratives, in particular, he reveals himself to be an adept storyteller: “We also know that he wore a fez and long coat in the style of Muslims in Africa and fasted in Ramadan. He had at least twelve sons and seven daughters, all of whom bore Islamic names. He was a powerful and inspiring man, whose capabilities were recognised by his owner, Thomas Spalding.” Karim successfully weaves a number of historical trends together, from Yarrow Mamout to Muhammad Ali to 9/11 to Khizr Khan, showing how often Islam has been seen by its practitioners and opponents as something at odds with the American status quo. The author’s perspective is fairly Islamocentric, and he is perhaps more interested in establishing the existence of a Muslim tradition within the U.S. than in, say, resurrecting the backgrounds of these slaves for the mere sake of accuracy or multiculturalism. While Karim makes no pretense of objectivity, his arguments are persuasive and expose a significant hole in the mainstream view of American slavery. History fans of all backgrounds should be intrigued to learn of the surprises and complexities still hidden in this nation’s past.
A compelling and illuminating call for recognizing America’s earliest Muslims.Pub Date: Nov. 15, 2019
ISBN: 978-1-912892-23-5
Page Count: 258
Publisher: Diptote Books
Review Posted Online: Nov. 14, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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