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From This Valley

An affecting story about one man’s quest to transcend his troubled past.

Awards & Accolades

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A young soldier, shortly after the Civil War, abandons his regiment to explore the northern Canadian territory and its dangerous prairie lands in this debut historical novel.

Ryan Price Meade has an illicit romance with Priscilla, the daughter of his family’s black butler. After Ryan’s father discovers the situation, he immediately banishes him from the homestead, and he’s sent to serve in the U.S. Army 7th Cavalry Regiment under the command of a distant relation. Following the Civil War, he’s reassigned to a unit under the command of George Armstrong Custer, an idol of his for years. But Custer turns out to be a brutal warrior, and Ryan is horrified when the man orders the massacre of a Native American tribe, including women and children, at the Battle of Washita River. Disillusioned and tortured by his memory of the battle, Ryan flees his post and sets out for Canada. He stumbles upon a sergeant from the North West Mounted Police who’s traveling with a half-Native American, and they help him prepare for a perilous journey through near-lawless lands occupied by hostile warriors, bandits, and unscrupulous traders. Then Ryan receives a tragic epistle from his former butler. Overwhelmed by grief, he rejects the possibility of returning home to join the family business and sets out on his own in search of solitude, more than anything else. Along the way, he meets a young Cheyenne girl he saved during the Washita massacre. The two fall in love, travel to her mother’s clan, and make a new life. Later, Ryan wrestles with a lifetime of demons but remains open to the possibility of new love, peace, and redemption. Author Harvey warns readers in a preface that he plays fast and loose with historical fact. That said, he does a marvelous job of evoking the spirit of the period, particularly in his depictions of the complex relations between whites, blacks, and Native Americans. Over the course of the story, Ryan suffers from Job-like losses, and the sources of his profound discontent sometimes seem too extraordinary and sudden to be believable. His internal tumult, though, set against the volatility of an evolving and unsettled world, is painted with powerful and vivid brush strokes throughout.

An affecting story about one man’s quest to transcend his troubled past.

Pub Date: April 20, 2016

ISBN: 978-1-4602-8098-0

Page Count: 312

Publisher: FriesenPress

Review Posted Online: June 22, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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