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IN MY ANAANA'S AMAUTIK

Name: IN MY ANAANA'S AMAUTIK
Author: Nadia Sammurtok
ISBN: 978-1-77227-252-9

by Nadia Sammurtok ; illustrated by Lenny Lishchenko ‧ RELEASE DATE: April 7, 2020

The far north has never felt so deliciously warm.

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The narrator, an Inuit toddler, enjoys being tucked in the hood of Anaana’s parka.

In the far north, many women wear parkas that have a hood, or amautik, that also serves as a baby carrier to keep their offspring warm. One toddler, the narrator of the story, explains how being carried this way “feels like being wrapped up in soft clouds.” While tucked inside the amautik, the child inhales Anaana’s calming scent, like “flowers in the summertime.” The narrator thinks of the hood as a tiny iglu, or snow house, that provides cozy protection. The sound of Anaana’s laughter comforts the child, but most of all, the child feels Anaana’s love. Each spread appeals to a different sense, creating a deliciously cozy and nurturing microenvironment for this lucky tot. Inuit author and educator Sammurtok brings her work preserving Inuktitut to the text, with a spare sprinkling of vocabulary (defined in a closing glossary). The repetition of “In my anaana’s amautik” at the beginning of each short paragraph is both lulling and reinforcing of the relationship between child and mother. Canadian illustrator Lishchenko’s use of textures and subtle colors blends well with the strong, simple text. Delicate pastels give the Arctic landscape a welcoming beauty, and fanciful depictions of the similes the narrator suggests lend a playful air.

The far north has never felt so deliciously warm. (Picture book. 2-5)

Pub Date: April 7, 2020

ISBN: 978-1-77227-252-9

Page Count: 24

Publisher: Inhabit Media

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE OWL AND THE TWO RABBITS
by Nadia Sammurtok ; illustrated by Marcus Cutler

- PERSPECTIVES
2020 Preview: Our Children’s Editor Sees a Bright Future

- PERSPECTIVES
Children’s Books From North of the Border

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UMBRELLA

by Taro Yashima ; illustrated by Taro Yashima ‧ RELEASE DATE: March 1, 1958

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Momo longed to carry the blue umbrella and wear the bright red rubber boots she had been given on her third birthday. But day after day Indian summer continued. Momo tried to tell mother she needed to carry the umbrella to nursery school because the sunshine bothered her eyes. But Mother didn't let her use the umbrella then or when she said the wind bothered her. At last, though, rain fell on the city pavements and Momo carried her umbrella and wore her red boots to school. One feels the urgency of Momo's wish. The pictures are full of the city's moods and the child's joy in a rainy day.

Pub Date: March 1, 1958

ISBN: 978-0-14-050240-4

Page Count: 32

Publisher: Viking

Review Posted Online: Dec. 9, 2013

Kirkus Reviews Issue: March 1, 1958

Categories:

CHILDREN'S GENERAL CHILDREN'S

THE THREE LITTLE SUPERPIGS AND THE GINGERBREAD MAN

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THE THREE LITTLE SUPERPIGS AND THE GINGERBREAD MAN

by Claire Evans ; illustrated by Claire Evans ‧ RELEASE DATE: Sept. 6, 2022

Superheroes, and readers, will live happily-ever-after.

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Why have fairy tales lasted so long? Maybe it’s because they change with every teller.

It takes surprisingly little effort to turn the Three Little Pigs into superheroes. The Big Bad Wolf basically started out as a supervillain, with the ability to blow a house down, and the pigs had to perform spectacular feats to outwit him. In this picture book, the wolf, locked in the Happily Never After tower, devises a plot to escape. Using rotten eggs and spicy ginger, he creates the Gingerbread Man, who makes his way to a baking contest where the three pigs and other fairy-tale characters are competing to win the key to the city. The Gingerbread Man grabs the key, and not even superhero pigs are fast enough to catch him, but with their secret weapon—mustard (which one of the pigs also uses to bake cookies)—they save the day. The morals: Evil never triumphs, and mustard cookies are delicious. The book’s charm is in the details. There are splotches of mustard on the cookies featured on the endpapers, and a sly-looking mouse is hiding on many of the pages. The story even manages to include more than a dozen fairy-tale figures without seeming frenzied. Evans’ use of shading is so skillful that it almost seems possible to reach out and touch the characters. Most of the human characters are light-skinned. (This book was reviewed digitally.)

Superheroes, and readers, will live happily-ever-after. (Picture book. 3-5)