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The Rising Black Star

A NOVEL

An ambitious novel of forbidden romance in colonial Ghana that blends the personal and political to mixed effect.

A teenage boy falls in love and battles with his father in the years leading up to Ghana’s independence.

In this debut novel, Wright tells the story of Ani Baknu, son of a privileged Ghanaian couple. The book opens in 1948, when the country is still under British rule, but Ani and his friends have to contend with the political violence in Accra. Ani’s more immediate problem is his overbearing father, Kofi, who wants to control his career path, love life, and loyalties. Ani, determined to chart his own course, begins dating Deka Delmojus, the daughter of his father’s longtime antagonist. Ani and Deka’s relationship deepens (He tells her: “After my mother, you’re the only one I trust to give me support. You’re the only one I trust to give me comfort. You’re the only one I trust to give me true love”). Kofi tries to split up the couple, and the girl finds herself the target of increasingly violent attacks. Ani, working with the police and learning to take responsibility for himself (“My dad shouldn’t be the game changer in my own game”), investigates the assaults and moves toward building a future with Deka. He ultimately celebrates his own independence along with that of Ghana. Wright’s Ani, a multilayered character, draws out the reader’s sympathies, despite his Hamlet-like tendency to complain instead of act and his frequent misreading of Deka’s behavior. Unfortunately, the book’s other characters are not as fully realized. Both the narrative (“An outright refusal would engender violence, but acceptance would go against his sense of honesty and integrity”; “On setting his eyes on his father, he beheld a wild streak etched on his face, and his eyes were darkened like the mud waters after the rains”) and the dialogue (“I’ve grappled with my father’s pugnacious attitude. Unfortunately, I’ve failed to uncover reasons for his behavior”; “Your foreboding look smothered my anger. I have too much regard for you, Deka”) are frequently awkward and stilted. While Wright expertly juxtaposes a human coming-of-age tale with a country’s, the unpolished writing style and insufficiently developed supporting characters and motivations keep the story from being an entirely enjoyable read.

An ambitious novel of forbidden romance in colonial Ghana that blends the personal and political to mixed effect.

Pub Date: June 21, 2016

ISBN: 978-1-940354-39-2

Page Count: 194

Publisher: New Friends Publishing

Review Posted Online: Aug. 12, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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