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Fireflies in the Night

A finely wrought family drama.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2016

Tragedy and powerful but fraying limitations on women roil an Indian family in this intense historical coming-of-age novel.

In 1957, the expectations for Indian women are pretty cut-and-dried: be a good housewife. Unfortunately, in the family of Achan Krishnan, a tax collector recently reassigned to the chilly Himalayan province of Assam as a punishment for not taking bribes, such certitudes no longer satisfy. His beautiful wife, Devi, longs for more erotic passion than the stolid Achan can muster; her longings inflamed by racy romance novels, she casts her gaze at a handsome British plantation manager who dances with her at parties while Achan fumes. As if to overcompensate for her improprieties, Devi strictly polices her two daughters: Anu, a dutiful teenager, and Kavita, an unruly, 9-year-old scamp. The family tensions ratchet up when Kavita’s little brother, Arun, the apple of his parents’ eye simply because he’s a son, gets eaten by a tiger during an outing to a park. The grief-stricken Devi shaves her head and goes silent, then rebounds into even more scandalous conduct with the Brit. As the girls head into adulthood and feel the liberating tremors of the 1960s, she imposes a straightjacketing virginity-protection regime on them—no contact with boys allowed—while plotting arranged marriages to dreary older men. But a violent rupture looms as Anu conceives a forbidden love with a boy not of her caste. Warriar’s (The Enemy Within, 2005, etc.) novel, told mainly through Kavita’s voice, steeps readers in Indian culture, reveling in vivid descriptions of foods, landscapes, colorful fashions, and convoluted mores. It’s also a subtle, gripping study of patriarchy as it blights women’s lives while poisoning their relationships with one another. Kavita grows up in a world that prizes her virginity yet subjects her to constant molestation attempts by men. Meanwhile, Devi—suffocating in a loveless marriage and a generally unfulfilled life and acting out in brazen ways—is determined to impose the same hell on her daughters; indeed, she comes to see them as the main stumbling blocks to her happiness. But although Devi’s an almost monstrous character, the author still manages to portray her sympathetically. Warriar’s richly textured novel portrays this unraveling family with real emotional depth, showing how social pressures turn parents and children against one another.

A finely wrought family drama.

Pub Date: June 25, 2016

ISBN: 978-0-9877484-1-6

Page Count: 292

Publisher: Warriar Books

Review Posted Online: Sept. 16, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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