Ingeniously crafted with a three-part structure, this informational picture book tells the story of Juan Quezada of Mata Ortiz, Chihuahua, Mexico, who single-handedly rediscovered the processes and materials used by the long-vanished Casas Grandes Indians to create fine pottery. Fascinated by the ancient potsherds he found as a child, Quezada knew that this pottery had to have been made using only natural materials found in the area, and so began to experiment until he was able to create pottery that resembled these ancient fragments. The result, after many years, has been the transformation of his impoverished village into a thriving community of craftspeople, and the creation of astonishingly beautiful pottery that is now found in museums and art galleries around the world. Andrews-Goebel tells this story by interweaving a rhyme patterned on “The House that Jack Built” (“This is the cock that crowed at dawn / That greeted the village and woke up Juan”) with a prose telling of Quezada’s story (“When he was twelve years old, while bringing firewood down from the hills on his burro, Juan found his first potsherds”). A final section that includes small photographs provides additional factual and background information. Based on the author’s visits with Quezada to make a documentary film, no additional sources of information are provided. Diaz’s (Angel Face, 2001, etc.) characteristic illustrations, with colors somewhat muted by the earth tones of clay, reflect Quezada’s intricate, swirling pottery designs in background patterns, and capture, in a stylized manner, the ambience of the little village on the high windy plains of Chihuahua and the drama of Juan’s discoveries. A lovely and unusual offering. (Nonfiction/picture book. 6+)
Pub Date: Sept. 1, 2002
ISBN: 1-58430-038-8
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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