The premise is a bit of a stretch, but Cote’s book about the creative potential inherent in even the most unpromising article—in this case a single flip-flop’speaks for wide applications. Penny, bound to the beach with her mother, can only locate one of her flip-flop sandals (a.k.a. thongs) and hops to the car. At the beach, Penny finds uses for the flip-flop, among them a fan, scoop, crab-catcher, sand-writer. Throughout the day, she finds friends and loses them, but in the end makes contact with a pal who scratches her home phone number on the flip-flop. The point is well taken: To everything there is a season, and all it takes is fertile imagination to let the possibilities curl toward the light. Appealing beach scenes in sunny colors take the lightweight concept as far as it can go, but amiably. (Picture book. 5-8)
Pub Date: March 1, 1998
ISBN: 0-8075-2504-9
Page Count: 32
Publisher: Whitman
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
``Water is dew. Water is ice and snow.'' No matter what form it takes, seldom has plain old water appeared so colorful as in this rainbow-hued look at rain, dew, snowflakes, clouds, rivers, floods, and seas. Asch celebrates water's many forms with a succinct text and lush paintings done in mostly in softly muted watercolors of aqua, green, rose, blue, and yellow. They look as if they were created with a wet-on-wet technique that makes every hue lightly bleed into its neighbor. Water appears as ribbons of color, one sliding into the other, while objects that are not (in readers' minds) specifically water-like—trees, rocks, roots—are similarly colored. Perhaps the author intends to show water is everything and everything is water, but the concept is not fully realized for this age group. The whole is charming, but more successful as art than science. Though catalogued as nonfiction, this title will be better off in the picture book section. (Picture book/nonfiction. 5-7)
Pub Date: March 1, 1995
ISBN: 0-15-200189-1
Page Count: 32
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 1995
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