A young giraffe escapes from the zoo and sets out for her African homeland in this antic animal fantasy. Though she can sense which way to go, Ruva knows little of the world, and so is fortunate in her companions: doughty Troll and wise Rodentus, both rats; Nelson, an irascible chameleon; and Jabila, a San Franciscan youth who, amazingly, can still understand the animals' Common Speech. Farmer (of the recent Newbery Honor book, The Ear, the Eye and the Arm, 1994, etc.) throws an array of obstacles before them, from locked doors to the demonic (but stupid) Slope Siblings, a cutthroat band of kidnappers and gun runners. The companions prove equal to every occasion, until trapped (aboard the yacht Apocalypso) in mid-ocean by an infestation of Sargasso Strangleweed; they escape that with the help of the weed's only natural enemy, Gross Green Sea-Going Sargasso Snails. The ending seems sudden—arriving at last in Africa, the friends set Ruva on the road toward home, then split up to find their own ``warm places,'' and, as in her other books, Farmer's distinctive voice and slightly skewed brand of comedy take some getting used to. Fear not, for the Good Guys are strongly individual, the Bad Guys deliciously horrid, and the whole adventure wild and risky. (Fiction. 10-13)
Pub Date: April 1, 1995
ISBN: 0-531-06888-9
Page Count: 152
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
An optimistic journey of self-acceptance.
Debut author Machias’ novel explores genderfluidity and gender nonconformity as elements of navigating middle school.
Told in two alternating narrative voices, the story follows Ash and Daniel, a pair of Ohio seventh graders who are on a shared mission to rescue an old dog the world doesn’t seem to have room for, a not-so-subtle metaphor highlighting the vulnerabilities faced by all abandoned souls. Throughout their growing kinship, Ash and Daniel struggle with the divergent expectations of those around them: Ash with shifting gender presentations and Daniel with his emotionality and sensitivity. Entering a new school and feeling pressured to pick and disclose a single gender, Ash’s conflicts begin with trying to decide whether to use the boys’, girls’, or gender-neutral bathroom. The school’s diverse Rainbow Alliance is a source of support, but Ash’s parents remain split by more than divorce, with a supportive mom and a dad who tries but fails to understand genderfluidity. Daniel, who has a talent for photography, is a passionate animal lover who volunteers at a local kennel and initially believes Ash is a girl. Ash’s synesthesia amplifies the tension as Ash and Daniel discover a mutual romantic interest. The novel grapples with the impact of society’s overly simplistic messages, but the characterizations at times lack depth, and there are missed opportunities to explore the subtleties of relationships. Main characters are White.
An optimistic journey of self-acceptance. (Fiction. 10-13)Pub Date: June 8, 2021
ISBN: 978-0-06-305389-2
Page Count: 368
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
