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FAULT LINES

An elegant if overly manipulated structural design parallels the insightful but overly simplified psychological evolution of...

Canadian born Huston (Dolce Agonia, 2001, etc.) won the Prix Femina in France for this novel, which traces four generations of a family while examining how unshared secrets shape each succeeding/preceding generation.

In California in 2004, six-year-old Sol, a brilliant, spoiled brat, attends a Protestant church as a compromise between his Catholic-born mother, Tessa, and Jewish-raised father, Randall. After surgery more or less removes the birthmark Sol inherited from Randall, Sol’s grandmother Sadie orchestrates a trip to Munich with the whole family, including Sol’s German-born great-grandmother Erra. The trip is not a success. Flash back to 1982 when six-year-old Randall, also brilliant but more sweet-natured than Sol, basks in the love of his father, a Jewish playwright in his 40s, and desperately tries to please his 26-year-old mother Sadie, a tense perfectionist. Randall loves the year he lives with his parents in Israel while Sadie, a graduate student of the Holocaust and recent convert to Judaism, does research. Then public and personal disasters conflate: Shortly after a controversial Israeli-backed massacre in Lebanon, a car accident leaves Sadie permanently crippled. In 1962, lonely six-year-old Sadie must live with her stern Canadian grandparents while her bohemian unwed mother Kristina finds herself. Sadie, who considers the birthmark on her bottom “dirty,” is overjoyed when Kristina, who has changed her name to Erra, marries the kindly Jewish manager of her burgeoning musical career and brings Sadie to live with them. Then a strange foreign man shows up and shatters Sadie’s fragile security. In 1944, Kristina considers herself the adored youngest daughter of a solid German family until her older “brother” explains that, like him, she was stolen by the Nazis from her real parents, and the two forge a secret bond. After liberation, Kristina is adopted by Canadian parents. To keep her “brother” close, she names her birthmark after him.

An elegant if overly manipulated structural design parallels the insightful but overly simplified psychological evolution of vulnerable children (excepting demon Sol) into reactive adults.

Pub Date: Oct. 1, 2008

ISBN: 978-0-8021-7051-4

Page Count: 288

Publisher: Black Cat/Grove

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2008

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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