A story that raises tricky questions about relationships between women and men, the longevity of family ties, and the...
A fast-moving novel from King (The Stones Speak, 2009, etc.) about a woman’s search for self.
As the story opens, a husband tells his wife of 40 years that he’s leaving her for another, younger woman. The suddenness of the news is surprising, and the shock at first unhinges Laura. She’s a 60-year-old grant writer who gave up her shot at a Ph.D. for the sake of her husband Zach’s architecture career. Until now, their life in Oberlin, Ohio, had seemed fulfilling—at least, until she was forced to examine it. After six days of dwelling in an abyss of grief and uncertainty, “without warning, she surfaced.” Laura realizes that she must move on, and readers will follow her eagerly. Instead of looking backward into its protagonist’s hazy past for clues that might have led to the affair, the story travels forward. Laura goes to a conference in Albuquerque, New Mexico, which kick-starts an adventurous series of events. There, she meets intriguing, capricious women; charming, jealous men; and eventually, the firmer side of herself. Using a straightforward, no-frills style that’s light on description, the novel’s main offering is its empowering, new-world/new-self theme. The story careens forward, mostly in a credible way, after launching from a startling revelation. The characters are clearly drawn, and though the headlong pace doesn’t allow them much time to develop, each person is shown to have his or her own secrets. Some lessons are predictable; for example, as much as Laura struggles to learn “how not to be Mrs. Zachary Feldman,” she finds that learning how to be herself is harder. Other lessons, however, hum underneath the surface. How far can she go to fashion a new self before the good parts of the original evaporate in the dry desert air? How can she conceive the boundaries of her self as they cross into and withdraw from others’? Laura’s perspective dominates, but passages from other characters’ points of view reveal how much we all might be living behind partial disguises, even from ourselves.
A story that raises tricky questions about relationships between women and men, the longevity of family ties, and the friendships within literal and symbolic sisterhoods.Pub Date: Jan. 2, 2014
ISBN: 978-1891386435
Page Count: 260
Publisher: Plain View Press
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: May 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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