Kress’s first story collection since The Aliens of Earth (1993) comprises 13 tales, 1991—97, and includes the original novella-length version of her splendid Beggars in Spain. Kress shows her talents to best effect when combining several situations and ideas: an alien detective story, in which the murderer does the investigating, that probes the nature of consensual reality; designer drugs, mysterious deaths, and the piercing emotions aroused when love ends abruptly; a fine Sleeping Beauty variant; Adam and Eve—the feminist version; and an odd, provocative, insidious yarn that, in one of several possible interpretations, promises that on Judgement Day it will be God, not humanity, who—ll be judged. Also on the agenda: ideal beings and chaos theory; genetic engineering and vengeance; cloning; drug-resistant bacteria on the rampage; plus implants, ballet, and mothers. Finally, in a lighter vein: thanks to his interfering old schoolteacher, Walt Disney turns his back on cartoons and instead becomes a third-rate painter; and emotions are acquired, displayed, and discarded like designer fashions. With her focus always on people rather than on gadgets or even ideas, Kress at her best is as incisive and subtle as any. And if you don’t like the stories, you can always ponder the collection’s baffling title.
Pub Date: Aug. 31, 1998
ISBN: 0-312-86537-6
Page Count: 352
Publisher: Tor
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 1, 1998
Categories: GENERAL SCIENCE FICTION & FANTASY | SCIENCE FICTION
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An almost-but-not-quite-great slavery novel.
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The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.
In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.
An almost-but-not-quite-great slavery novel.Pub Date: Sept. 24, 2019
ISBN: 978-0-399-59059-7
Page Count: 432
Publisher: One World/Random House
Review Posted Online: July 1, 2019
Kirkus Reviews Issue: July 15, 2019
Categories: GENERAL SCIENCE FICTION & FANTASY | HISTORICAL FICTION | FANTASY | HISTORICAL FANTASY
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BOOK REVIEW
BOOK REVIEW
This future space fantasy might start an underground craze.
It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.
With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.
Pub Date: Oct. 15, 1965
ISBN: 0441013597
Page Count: 411
Publisher: Chilton
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Oct. 1, 1965
Categories: GENERAL SCIENCE FICTION & FANTASY | SCIENCE FICTION | GENERAL SCIENCE FICTION
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BOOK TO SCREEN
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