A wrenchingly honest account that deftly combines a marriage story and an art tour.
A memoir explores an art lover’s family life and career.
This account begins with photographs in Pressly’s attic showing her ancestors from the shtetls of Eastern Europe. Her first-generation parents were hard workers who eventually made a comfortable life for themselves, the author, and her brother, Bobby, in America. Pressly describes her school days, first love—which brought out her father’s scary, protective nature—and college life. In graduate school, she met and married a man named Bill. The author began a career as a museum curator, and Bill became a professor of art history. He remained a professor while the author sometimes adjusted her focus but stayed in the fields of art and curation. They confronted all sorts of career hurdles and, more importantly, health issues. Bill had serious heart problems, among other things. Pressly fared little better. In her 70s, she faced ampullary cancer, necessitating the very radical Whipple procedure and a long convalescence. Eventually, the couple moved to Atlanta to help their only child, David, cope with being the single parent of their two grandchildren. This is the author’s second book; the first—Settling the South Carolina Backcountry (2016)—chronicles Bill’s roots. She writes well. This is a woman of extraordinary passion and enormous energies. The test of a person (and for that matter, a marriage) is how the individual handles and overcomes the challenges of life. Pressly time and again passes the test with flying colors in this candid memoir. A side benefit: the illuminating chapters devoted to her thoughts on what it means to experience great works of art. (The volume features copious illustrations, both art plates and family photos.) In Florence, she admired Jacopo Pontormo’s “enigmatic, strange, and beautiful” painting Deposition From the Cross (1526-28): “I was absolutely stunned by the intense, almost strident, pastel colors of the drapery, which in places clung so tightly to the grieving figures as to appear translucent.” The author is a truly marvelous guide on a tour literally around the world, insisting that art reproductions in books are a poor second to the in situ experience that she convincingly describes as life changing.
A wrenchingly honest account that deftly combines a marriage story and an art tour.Pub Date: May 5, 2020
ISBN: 978-1-63152-862-0
Page Count: 224
Publisher: She Writes Press
Review Posted Online: March 13, 2020
Kirkus Reviews Issue: April 15, 2020
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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