An excellent end to an uneven but enjoyable series.



From the Sunshine Girl series , Vol. 3

Sunshine Griffith faces down her destiny.

The Sunshine Girl trilogy concludes as the title character returns from training and prepares to battle the deadly superdemon, Dubu. Surrounded by her biological, luiseach parents, Aidan and Helena, her boyfriend, Nolan, her adoptive, human mom, Kat, her childhood, human best friend, Ashley, and a fellow luiseach, Lucio—all evidently white with the exception of Latino Lucio—Sunshine is filled in on prophecies, hidden histories, and last-minute skill sets. The promising series stumbled in its second installment by wedging Sunshine into a poor “chosen one” narrative. But now Sunshine is back on her home turf and ready to slay some demons. The author embraces the campy, gothic roots that inspired the series, offering sordid romantic histories, a mysterious luiseach council, and eleventh-hour betrayals. Sunshine is admirably strong, observant, and self-reliant. She may have lots of backup, but at the end of the day she is perfectly capable of taking care of herself. The only storyline that’s a whiff is Sunshine’s relationship with Nolan. There’s very little heat to this romance. Sunshine’s relationship with Aidan and Helena is much more interesting, crackling with conflict and character. The spooky set pieces remain excellent, and the author’s handle on action has improved over the three books. The first installment remains the best, but this is a fine way to end Sunshine’s story.

An excellent end to an uneven but enjoyable series. (Paranormal suspense. 12-16)

Pub Date: April 4, 2017

ISBN: 978-1-60286-298-2

Page Count: 320

Publisher: Weinstein Books

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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Not much forward momentum but a tasty array of chills, thrills, and chortles.


From the Peculiar Children series , Vol. 4

The victory of Jacob and his fellow peculiars over the previous episode’s wights and hollowgasts turns out to be only one move in a larger game as Riggs (Tales of the Peculiar, 2016, etc.) shifts the scene to America.

Reading largely as a setup for a new (if not exactly original) story arc, the tale commences just after Jacob’s timely rescue from his decidedly hostile parents. Following aimless visits back to newly liberated Devil’s Acre and perfunctory normalling lessons for his magically talented friends, Jacob eventually sets out on a road trip to find and recruit Noor, a powerful but imperiled young peculiar of Asian Indian ancestry. Along the way he encounters a semilawless patchwork of peculiar gangs, syndicates, and isolated small communities—many at loggerheads, some in the midst of negotiating a tentative alliance with the Ymbryne Council, but all threatened by the shadowy Organization. The by-now-tangled skein of rivalries, romantic troubles, and family issues continues to ravel amid bursts of savage violence and low comedy (“I had never seen an invisible person throw up before,” Jacob writes, “and it was something I won’t soon forget”). A fresh set of found snapshots serves, as before, to add an eldritch atmosphere to each set of incidents. The cast defaults to white but includes several people of color with active roles.

Not much forward momentum but a tasty array of chills, thrills, and chortles. (Horror/Fantasy. 12-14)

Pub Date: Oct. 2, 2018

ISBN: 978-0-7352-3214-3

Page Count: 496

Publisher: Dutton

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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A trilogy opener both rich and strange, if heavy at the front end.


From the Peculiar Children series , Vol. 1

Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.

The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.

A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)

Pub Date: June 7, 2011

ISBN: 978-1-59474-476-1

Page Count: 234

Publisher: Quirk Books

Review Posted Online: March 31, 2014

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