THE WRITER'S LIBRARY

Writers reflect candidly on the literature that shaped them and their work.

Librarian and literary critic Pearl teamed up with media journalist, producer, and playwright Schwager to interview American writers about the books that “whispered most persistently in their ears.” They asked a diverse selection of novelists, poets, and nonfiction writers, “how does the practice of reading inform the life of a writer?” Gently probing interviews elicited thoughtful responses about books that informed each writer’s literary sensibility and professional aspirations. Appended to each interview is a brief list of the writer’s treasured titles. Not surprisingly, many attest to having been early and enthusiastic readers. Jonathan Lethem described himself as a “prodigious, insatiable reader” when he was young. Jennifer Egan, too, was a precocious reader, and she was drawn to Daphne du Maurier’s Rebecca when she was 11 and discovered Edith Wharton’s The House of Mirth in high school. Wharton, she says, became a “huge touchstone for me,” as did writers she hoped to emulate, including Ethan Canin, Michael Chabon, and Don DeLillo. For Lethem, Kafka’s The Trial “became this talismanic thing.” Louise Erdrich remembers the impact made by Herman Wouk’s Marjorie Morningstar. “You started me, Herman, you started me,” she recalls. For several writers, the books they read as children felt alien to the world in which they lived. Susan Choi, the biracial daughter of Jewish and Korean parents, thought of books “as a portal to some better place, where all the pretty people live in nice landscapes.” Growing up in Morocco, attending French schools, novelist Laila Lalami found books “exclusively populated by French people with French concerns.” As a Vietnamese refugee, Viet Thanh Nguyen found Maurice Sendak’s Where the Wild Things Are “literally too dark for me.” Other interviewees include Luis Alberto Urrea, T.C. Boyle, Siri Hustvedt, and Donna Tartt.

A spirited collection offering intimate insights into the writing life.