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AN ACT OF LOVE

Can a tale of the rape of a teenaged girl by her stepbrother, even when it's told by the author of Belonging, 1995, among other contemporary romances, really be anything but sordid and unpleasant? Apparently not. Novelist Linda McFarland is a happy woman—wife of fellow novelist Owen, mother of Emily, a bright chatterbox of a high school sophomore, and stepmother to handsome 17-year-old Bruce. Living together in Owen's comfortable Massachusetts farmhouse, the McFarlands have worked hard during their seven years of marriage to treat the children equally and lovingly, and have hoped that their guidance—as well as the kids' shared experience of being abandoned by their other parent—would bring the children as close as real siblings. Until Emily's and Bruce's current year at Hedden Academy, an exclusive Boston boarding school, the parents were convinced they'd succeeded. Now, however, they're summoned to a hospital near the school with the news that Emily has attempted suicide. When Emily reveals that the reason for her action is that her beloved stepbrother raped her, Linda and Owen swing wildly between horrified belief in Emily's confession and denial that Bruce could possibly have committed such an act. Eventually, each parent inevitably takes his or her child's side—a situation that leads to a marital separation as Emily prepares to leave the hospital's psychiatric ward and live with her mother. Just at this propitious time the truth about the rape erupts—leading to the possibility of healing for the family of four, and an eventual reconciliation between husband and wife. More off-putting and icky than heart-stopping. Thayer's bland prose style doesn't help. (TV rights to ABC-TV; Literary Guild Alternate Selection)

Pub Date: Sept. 1, 1997

ISBN: 0-312-15471-2

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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