The ending is touching enough that the story is almost as vivid as the people in the pictures.
Ben-Ami’s illustrations in this Israeli import by way of the U.K. are so expressive that readers can understand the plot just by looking at the characters’ faces.
There are only three things to know. First: A brother and a sister get into a horrible fight just before the Passover Seder. Second, and maybe the most important: They both love music. She’s always singing, and he’s always strumming an apple-green guitar. And third: By the end of the meal, they’re both singing together again. Readers can learn most of this from the characters’ mouths and foreheads: the boy’s dismissive laugh when his younger sister tries to sing and, in the same picture, her one angry, cocked eyebrow. The only major detail readers need to learn from the text is the actual subject of the argument. At a traditional Seder, the youngest child sings the four questions, a chant that explains the meaning of the holiday, but in this family, the older child, brother Eitan, doesn’t want to give up the job. The problem is solved in a way that’s both entirely predictable and satisfyingly surprising. Evie struggles with the words, and Eitan joins in to help her out. Throughout the meal, just about everyone is smiling. (The characters are all white and mostly related.) But in these illustrations, each person’s smile is distinctly, beautifully unique.
The ending is touching enough that the story is almost as vivid as the people in the pictures. (Picture book. 4-8)Pub Date: March 19, 2020
ISBN: 978-1-78438-463-0
Page Count: 32
Publisher: Green Bean Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2020
With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked...
From a debut author-and-illustrator team comes a glimpse into a young American Muslim girl’s family and community as she walks around in “Mommy’s khimar,” or headscarf.
The star of this sunny picture book is a young girl who finds joy in wearing her mother’s khimar, imagining it transforms her into a queen, a star, a mama bird, a superhero. At the core of the story is the love between the girl and her mother. The family appears to be African-American, with brown skin and textured hair. The girl’s braids and twists “form a bumpy crown” under the khimar, which smells of coconut oil and cocoa butter. Adults in her life delight in her appearance in the bright yellow khimar, including her Arabic teacher at the mosque, who calls it a “hijab,” and her grandmother, who visits after Sunday service and calls out “Sweet Jesus!” as she scoops her granddaughter into her arms. Her grandmother is, apparently, a Christian, but “We are a family and we love each other just the same.” The illustrations feature soft pastel colors with dynamic lines and gently patterned backgrounds that complement the story’s joyful tone. The words are often lyrical, and the story artfully includes many cultural details that will delight readers who share the cheerful protagonist’s culture and enlighten readers who don’t.
With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked cultural group . (Picture book. 4-8)Pub Date: April 3, 2018
ISBN: 978-1-5344-0059-7
Page Count: 40
Publisher: Salaam Reads/Simon & Schuster
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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