A 16th-century ghost helps her present-day descendant preserve the past, in a story by American-Israeli Ragen (The Sacrifice of Tamar, 1994, etc.) that’s as much a heartfelt plea for continuity as a family saga. When 74-year-old Catherine da Costa is told that her illness is terminal, she finds herself worrying more about her family’s future than about her own death. Catherine is the only descendant of Hannah Mendes (a real historical figure), who escaped the Spanish Inquisition, did business with kings, and enlarged an already great fortune made from the spice trade. Now the only heirs to whom Catherine can leave the family’s relics—religious objects, Hannah’s Hebrew Bible, a few pages of her memoirs—are her granddaughters Suzanne and Francesca. Catherine’s daughter Janice married out of the faith and shows no interest in the ancestral past, but, unfortunately, the granddaughters aren’t promising material, either: both, in their 20s, are alienated from the family, not religiously observant, have had unsatisfactory relationships, and are still unmarried. Then, while napping in her chair in her Fifth Avenue apartment, Catherine is visited by Hannah’s ghost, who comes up with a plan to ensure the family’s survival. Shamelessly holding out the promise of money, she meets with her granddaughters and asks them to indulge her by going to Europe to track down the remaining pages of Hannah’s own memoirs, begun in 1574. Suzanne, more interested in good causes than family history, and the ever-practical Francesca, not one for the unplanned life, accept reluctantly, but soon find themselves caught up in the search. As the two young women travel, they have their own encounters with Hannah (her story alternates with theirs), and both fall in love with very suitable Sephardic Jews—Gabriel, a doctor who shares Suzanne’s humanitarian concerns, and bookseller Marius, who teaches Francesca to be more carefree. The future assured, Catherine and Hannah can depart in peace. A glossy celebration of culture and family, inevitably a tad schmaltzy but, like Ragen’s previous work, an agreeable enough read.
Pub Date: Sept. 22, 1998
ISBN: 0-684-83393-X
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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