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LOVE IN THE CHTHULUCENE (CTHULHUCENE)

Powerful work from a bracingly original poet.

Awards & Accolades

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A poet delivers verse for a new world historical era.

Many scientists now say that people are living in the Anthropocene, a time in which the dominant force impacting the environment is human activity. Not so for pioneering feminist scholar Donna J. Haraway, who calls the current period the Chthulucene. For Haraway, the Chthulucene is characterized by a tighter connection between the human and the nonhuman, “inextricably linked in tentacular practices,” as she puts it in her book on the topic, Staying With the Trouble (2016). If this is all sounding pretty academic, it is. Which makes it all the more impressive that Caple is able to distill such dense scholarship into engaging, moving poetry. Readers get some sense of the ways humans and nonhumans are wrapped up together in her opening poem, “I Try Not To Think too Much,” an extended riff on the word “mind.” At the beginning, the piece feels like simple wordplay: “You are your mind / you know your mind / no two know the same mind.” But quickly, readers will realize that the author is on to something bigger: “Do flowers have minds?…speak to my dog’s mind! / things in the garbage have no mind / they do not mind…God is a kind of mind.” Here, “mind” becomes something more than human—and something that dwells in various and unexpected places. Elsewhere in the book, Caple matches words with images, creating pieces that are more collages than poems. One of these is “Wildness,” which features an uncredited photograph of the Canadian poet Pat Lowther pasted over a field of text with words cut out. The cutouts then appear on Lowther’s face, enigmatically forming the phrase “how how is memory a wildness.” The meaning here is elusive, but the effect is real. In this, Caple resembles modernist authors who came before her. Like them, she is able almost magically to build emotional momentum without narrative structure. The effect is mesmerizing.

Powerful work from a bracingly original poet.

Pub Date: May 7, 2019

ISBN: 978-1-928088-79-0

Page Count: 112

Publisher: Wolsak and Wynn Publishers

Review Posted Online: April 3, 2020

Kirkus Reviews Issue: May 15, 2020

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SILENT SPRING

The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!

It should come as no surprise that the gifted author of The Sea Around Usand its successors can take another branch of science—that phase of biology indicated by the term ecology—and bring it so sharply into focus that any intelligent layman can understand what she is talking about.

Understand, yes, and shudder, for she has drawn a living portrait of what is happening to this balance nature has decreed in the science of life—and what man is doing (and has done) to destroy it and create a science of death. Death to our birds, to fish, to wild creatures of the woods—and, to a degree as yet undetermined, to man himself. World War II hastened the program by releasing lethal chemicals for destruction of insects that threatened man’s health and comfort, vegetation that needed quick disposal. The war against insects had been under way before, but the methods were relatively harmless to other than the insects under attack; the products non-chemical, sometimes even introduction of other insects, enemies of the ones under attack. But with chemicals—increasingly stronger, more potent, more varied, more dangerous—new chain reactions have set in. And ironically, the insects are winning the war, setting up immunities, and re-emerging, their natural enemies destroyed. The peril does not stop here. Waters, even to the underground water tables, are contaminated; soils are poisoned. The birds consume the poisons in their insect and earthworm diet; the cattle, in their fodder; the fish, in the waters and the food those waters provide. And humans? They drink the milk, eat the vegetables, the fish, the poultry. There is enough evidence to point to the far-reaching effects; but this is only the beginning,—in cancer, in liver disorders, in radiation perils…This is the horrifying story. It needed to be told—and by a scientist with a rare gift of communication and an overwhelming sense of responsibility. Already the articles taken from the book for publication in The New Yorkerare being widely discussed. Book-of-the-Month distribution in October will spread the message yet more widely.

The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!  

Pub Date: Sept. 27, 1962

ISBN: 061825305X

Page Count: 378

Publisher: Houghton Mifflin

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: July 1, 1962

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A HISTORY OF THE WORLD IN TWELVE SHIPWRECKS

Gibbins combines historical knowledge with a sense of adventure, making this book a highly enjoyable package.

A popular novelist turns his hand to historical writing, focusing on what shipwrecks can tell us.

There’s something inherently romantic about shipwrecks: the mystery, the drama of disaster, the prospect of lost treasure. Gibbins, who’s found acclaim as an author of historical fiction, has long been fascinated with them, and his expertise in both archaeology and diving provides a tone of solid authority to his latest book. The author has personally dived on more than half the wrecks discussed in the book; for the other cases, he draws on historical records and accounts. “Wrecks offer special access to history at all…levels,” he writes. “Unlike many archaeological sites, a wreck represents a single event in which most of the objects were in use at that time and can often be closely dated. What might seem hazy in other evidence can be sharply defined, pointing the way to fresh insights.” Gibbins covers a wide variety of cases, including wrecks dating from classical times; a ship torpedoed during World War II; a Viking longship; a ship of Arab origin that foundered in Indonesian waters in the ninth century; the Mary Rose, the flagship of the navy of Henry VIII; and an Arctic exploring vessel, the Terror (for more on that ship, read Paul Watson’s Ice Ghost). Underwater excavation often produces valuable artifacts, but Gibbins is equally interested in the material that reveals the society of the time. He does an excellent job of placing each wreck within a broader context, as well as examining the human elements of the story. The result is a book that will appeal to readers with an interest in maritime history and who would enjoy a different, and enlightening, perspective.

Gibbins combines historical knowledge with a sense of adventure, making this book a highly enjoyable package.

Pub Date: April 2, 2024

ISBN: 9781250325372

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Nov. 28, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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