Young people will readily respond to this skillful rendition of free-floating unhappiness—and to its satisfying antidote.
Can a kitten remain out of sorts when he’s double-teamed by a resourceful mama and a beloved friend?
It’s touch-and-go for most of the story as cranky Pavlo, clad in striped pajamas, rejects his mother’s suggestions about how they could spend the day. Not the park: “The swings are too swingy, the sandbox is too sandy, and…the slide is too SLIDEY!” Swimming is out, because “the water is too wet and…the fishies will nibble my toes!” The dark mood of the down-in-the-dumps, gray kitten is mitigated by Shaloshvili’s playful language and the light touch she employs as Pavlo imagines Mama’s proposed scenarios. Children will especially chuckle when Pavlo considers going to the movies; a dog, sitting next to a chicken, reaches over the seat to grab a handful of a distracted elephant’s popcorn. Despite the protagonist’s protests, the activities all look like great fun, and the softly textured acrylic, watercolor pencil, and digital illustrations create a cozy community of cheerful animals. After the grumpy youngster hears his friend Mila’s voice outside, he finally entertains Mama’s ideas; Mila’s hug helps even more, as does some ice cream. Featuring brilliantly rendered visuals with a tactile quality that will have readers eagerly poring over the pages, this clever tale captures the intensity of a youngster’s bad mood—and the speed with which it can transform into a good one.
Young people will readily respond to this skillful rendition of free-floating unhappiness—and to its satisfying antidote. (Picture book. 2-5)Pub Date: Sept. 24, 2024
ISBN: 9781536235548
Page Count: 32
Publisher: Candlewick
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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