Next book

A DOCTOR LIKE PAPA

In a brief episode exploring the theme of challenging gender roles that is loosely based on local history, the devastating flu epidemic of 1918 tests a Vermont child’s resolution to become a country doctor like her father. Resisting her mother’s insistence that it’s no job for a woman, Margaret cajoles her father at last into allowing her to accompany him on house calls. She proves an able assistant—but needs all her skills and stomach later that winter when, on the way to a remote relative’s with her little brother, she comes upon a farmhouse with a nearly dead dog outside, and inside only a small child shivering among the bodies of her stricken family. In a quick final chapter, Margaret grows up to achieve her heart’s desire, and even to see her own little daughter show early signs of continuing the family profession. Kinsey-Warnock (Lumber Camp Library, below, etc.) folds in a subplot involving a beloved uncle who comes back from the war deeply depressed and minus an arm, slips in a snippet about Elizabeth Blackwell for further role-modeling, and closes with a historical note. Young readers will be engrossed, following this plucky but vulnerable child through a time of hardship and widespread tragedy. Illustrations not seen. (Fiction. 9-11)

Pub Date: May 1, 2002

ISBN: 0-06-029319-5

Page Count: 80

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2002

Next book

THE BABE AND I

Adler (also with Widener, Lou Gehrig, 1997, etc.) sets his fictional story during the week of July 14, 1932, in the Bronx, when the news items that figure in this tale happened. A boy gets a dime for his birthday, instead of the bicycle he longs for, because it is the Great Depression, and everyone who lives in his neighborhood is poor. While helping his friend Jacob sell newspapers, he discovers that his own father, who leaves the house with a briefcase each day, is selling apples on Webster Avenue along with the other unemployed folk. Jacob takes the narrator to Yankee Stadium with the papers, and people don’t want to hear about the Coney Island fire or the boy who stole so he could get something to eat in jail. They want to hear about Babe Ruth and his 25th homer. As days pass, the narrator keeps selling papers, until the astonishing day when Ruth himself buys a paper from the boy with a five-dollar bill and tells him to keep the change. The acrylic paintings bask in the glow of a storied time, where even row houses and the elevated train have a warm, solid presence. The stadium and Webster Avenue are monuments of memory rather than reality in a style that echoes Thomas Hart Benton’s strong color and exaggerated figures. (Picture book. 5-9)

Pub Date: April 1, 1999

ISBN: 0-15-201378-4

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

Next book

THE LION AND THE UNICORN

From Hughes (Enchantment in the Garden, 1997, etc.), a WWII story with big ambitions—many of them realized’set out in the pages of an unusually long picture book. Lenny Levi lives in London with his mother during the Blitz, cherishing the letters from his father at the front, and the medal of the lion and the unicorn his father gave him. When Lenny is evacuated to the country, he finds himself at a huge old manor with three little girls, the lady of the house, and a few servants. He is lonely, teased at school and at home for not eating bacon and for bedwetting, but makes a friend of the young man with one leg he meets in the secret garden on the estate. The garden, thick with roses, also holds a beautiful statue of a unicorn like the one on his medal. As Lenny’s loneliness and fear spiral out of control, a night vision of the unicorn brings him back; his mother comes to take them both to his aunt in Wales, where his father will join them. The storyline, while straightforward, hints at difficult subjects—religious differences, amputees, separation, family disruptions, the terror of bombing, and more—which are then given only cursory treatment. The pictures are splendid: luminous, full-bodied watercolors that capture the horror of London burning, the glory of the countryside, and mists of dreams. It may be difficult for this to find its audience, but children too young for Michelle Magorian’s Good Night, Mr. Tom (1986) might be captured. (Picture book. 8-10)

Pub Date: April 1, 1999

ISBN: 0-7894-2555-6

Page Count: 60

Publisher: DK Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

Close Quickview