THE IMMIGRANT TRAIN AND OTHER STORIES

Mirthless documentary-style stories about turn-of-the-century Polish immigrants struggling to find a home in America. The eight stories and novella here all involve ordinary people who start out from the village of Lunawicz and who, as Petesch (Flowing Mimosa, 1987, etc.) writes in the dedication, ``like my mother, came, labored in misery, cold, and darkness, and perished unknown.'' Each grim, straightforward tale is basically the same—a poor peasant flees troubled Poland for opportunity—the only variation being the relative success of the new life. In ``The Beekeeper,'' a young Polish beekeeper turned midwestern steelworker tries to keep bees in his horrid tenement. In ``The Orphan Train,'' New York street urchins are sent to the Midwest to work on farms- -the biggest, strongest children taken first, the weakest not chosen until bleak Minnesota. In ``Czesio's Boots,'' a couple meet meet on the ship to America after the young man's boots are stolen. Once in Massachusetts, the two are caught up in a violent demonstration against the exploitation of women and children in factories—a theme, the exploitation of immigrants, that is sounded throughout the collection. Petesch is most successful when she's describing the wide-eyed wonder of the newcomers: ``The buildings! The buildings! Look! Will we live in such tall buildings?'' a boy asks from the vantage of New York Harbor in ``Pawel in America,'' a novella about a doctor who's forced to pass himself off as a farmer in order to escape to Minnesota. ``Pawel'' is the best piece here, with meticulous and wise observations about the doctor's condescending treatment at Ellis Island. But too often the stories devolve into sentimental and flat representations of history with little that's convincingly illuminated about the characters other than their rigid determination to survive. The subject matter is compelling, but this veteran writer does little to bring the Polish immigrant experience to life.

Pub Date: Aug. 1, 1996

ISBN: 0-8040-0991-0

Page Count: 207

Publisher: Swallow Press/Ohio Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 1996

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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