EIGHT PRINCESSES AND A MAGIC MIRROR

One mirror ties the stories of eight princesses together.

The princess glut in today’s media—especially the contemporary threads of the “girl power” ones, such as the entrepreneurial Tiana in Disney’s Princess and the Frog and the warrior princesses like said studio’s Mulan and Merida from Brave—might make readers roll their eyes at another. However, the author ties this enchanting European-heavy multicultural cast of preteen royalty together through the narrative device of a confidence-boosting enchanted mirror. It all begins when the looking glass, which once hung on an enchantress’s wall, flippantly tells its owner that it knows nothing about princesses’ attributes. The enchantress shrinks the mirror to compact-size and sends it on a time- and alternate-world–spanning adventure to places coded, from the characters’ names such as Héloïse and Ellen, Leila al’Aqbar, Abayome, Tica, Anya, and Zarah, and other details, as continental Europe, War and Peace–era Russia and Paris, the Middle East, Africa, Latin America, and New York City. The author deftly weaves the arc of the mirror’s fantastic journey into each girl’s journey of self-discovery, from becoming a nation’s herbal healer to an anti-gentrification activist. Best of all, though the mirror is a device, it is not a gimmick thanks to the author’s engaging plot and the illustrator’s evocatively playful, full-colored drawings that border each story.

These tales are enchanting in both their realness and their whimsy