A measured and inquisitive speculative mystery with a lyrical soul.
In Johnson’s debut SF novel, an experienced investigator looks into several murders in an era in which serious crime is almost nonexistent.
Decades in the future, Ansel Black is the last detective left on the Rim, a sparsely populated windswept region between the urbanized Everything Sector and the uninhabitable Waste. When it comes to solving crimes, he’s not entirely on his own, though: He has an ANI (short for annotated intelligence) program that can predict the likelihood of any suspect’s guilt as a percentage. There aren’t that many Real Crimes anymore, as most people stay at home inside their cubes and act out their destructive urges in an ANI-run virtual reality known as the Stream. The ruminative Ansel is unsatisfied with both his work and his life in general: “Years as a detective have developed in Ansel something of a sixth sense: specifically, an ability to measure the proximity of a truth that is just out of grasp. It is a sense that has guided him…to surprising confessions. He has but to apply it to something greater.” Then he catches five strange murders. The victims were found shot to death in a religious settlement at the edge of the Waste. ANI’s comprehensive observation network somehow missed how all five of them got there, but evidence suggests each of them arrived on their own. Clearly, someone (or several someones) blacked out ANI’s cameras—a feat that Ansel would normally have considered to be an impossibility. To figure out how these people died, he will have to rely on an antiquated solution: good old-fashioned detective work. The ensuing investigation, which involves clues hidden in cryptic paintings of children watched over by a backward moon, soon becomes a personal quest into the true purpose of ANI—and of Ansel himself.
In its themes and content, this novel is reminiscent of the works of Philip K. Dick. In the world of the novel, technology has reached the singularity—the Great Merger, as it’s called—rendering humankind largely obsolete. The slightly old-fashioned Ansel, who fetishizes the pre-Merger “Classic Era” and writes his musings by hand in a diary, makes for a thoughtful foil to the dystopian world in which he lives. Over the course of the novel, Johnson’s tidy prose effectively captures the melancholic weirdness of the desertlike Rim, a place of ruins and abandoned objects: “Ansel leans into the dead Rim atmosphere as the breeze pulls softly towards the Waste. His longjacket ruffles sideways past the splintered framework of some structure that has lost its identity. He scans the rubble with his wrist enhancement and ANI provides her empty synopsis of the area’s history.” As in Dick’s work, the story eschews a tight mystery structure and doesn’t generate a great deal of narrative momentum. Ansel’s philosophical journal entries are frequently excerpted, and his personal struggle for meaning and purpose provides the book’s true narrative arc. Fans of cerebral SF will likely devour this offering and eagerly await Johnson’s future books.
Pub Date: Sept. 30, 2021
ISBN: 978-1087999920
Page Count: 258
Publisher: Self
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: April 15, 2023
Review Program: Kirkus Indie
Transporting and unputdownable; an appealing combination of deep and page-turning.
An intrepid teen encounters the dark secrets of the elite in her climate-ravaged world in this translated work from South Korea.
Sixteen-year-old Jeon Chobahm is shocked to learn that Goh Haeri, the beloved reality TV star who happens to be Chobahm’s look-alike, just died by suicide—and also that she’s being asked to become Haeri’s secret replacement. In their frozen, post-apocalyptic world, Chobahm, like everyone around her, leads a bleak life. She bundles up daily against the dangerous cold and toils in a power plant. But now she’ll live Haeri’s cushy life in Snowglobe, an exclusive, glass-dome-enclosed community, where the climate is mild, and the resident actors’ lives are broadcast as entertainment for those in the open world. As glamorous as life there may seem, however, Chobahm quickly learns that there’s a sinister underbelly: People are killed off when they’re no longer useful, and there’s something strange about Haeri’s family dynamics. As she meets a host of new companions, including Yi Bonwhe, the heir of Snowglobe’s founding family, Chobahm discovers a devastating secret and embarks on a risky plan to expose the truth. Climate change, societal inequity, and the ethics of escaping from our own lives by watching others’ are addressed in this intelligent, absorbing book. Chobahm is a complex character inhabiting a strongly developed world, and her compassion, ambition, outrage, and sorrow ring true.
Transporting and unputdownable; an appealing combination of deep and page-turning. (Dystopian. 12-adult)Pub Date: Feb. 27, 2024
ISBN: 9780593484975
Page Count: 384
Publisher: Delacorte
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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