A gripping chronicle of an epic voyage of hardship and survival that deserves to be as well known now as it once was. (16...

IN THE HEART OF THE SEA

THE TRAGEDY OF THE WHALESHIP

A vivid account of a 19th-century maritime disaster that engaged the popular imagination of the time with its horrors of castaways and cannibalism.

Just west of the Galápagos Islands, the Nantucket whale ship Essex was struck on November 20, 1820, by an 85-foot bull sperm whale.  Yet the sinking was only the beginning of a fantastic voyage, narrated with brio and informed speculation by Philbrick, director of the Egan Institute of Maritime Studies and a research fellow at the Nantucket Historical Association.  For three months the 20 men who escaped the Essex drifted in three smaller open boats, enduring squalls, attacks by sharks and another whale, starvation, dehydration, madness, and despair, capped by eating the flesh of comrades who had begun to die off – and, in one instance, casting lots to see who would be killed and eaten next.  When eight remaining castaways were retrieved off the coast of Chile, they had sailed almost 4,500 nautical miles across the Pacific – farther than both William Bligh’s post-Bounty voyage and Ernest Shackleton’s trek to South Georgia Island nearly a century later.  An account by first mate Owen Chase provided fodder for, most famously, Herman Melville’s Moby Dick, which took Chase’s description of the whale’s “decided, calculated mischief” as its central motif.  Philbrick uses Chase’s narrative and an unpublished memoir by the ship’s cabin boy, as well as recent medical and psychological discoveries, to limn the terror of men faced with their most elemental fears.  He also brings to life the Quaker-dominated society of Nantucket, including its ambivalence toward African-American sailors and its short existence as a microcosm of an emerging America:  “relentlessly acquisitive, technologically advanced, with a religious sense of its own destiny.”

A gripping chronicle of an epic voyage of hardship and survival that deserves to be as well known now as it once was.  (16 pages b&w illustrations) (First serial rights to Vanity Fair; author tour)

Pub Date: May 8, 2000

ISBN: 978-0141001821

Page Count: 320

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2000

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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