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DANGEROUS GIFTS

From the Charley Anderson Crime series , Vol. 2

A crime tale with a fierce, flawed heroine who surmounts plenty of perils and a few choice men.

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In this sequel, a New Yorker with a past might not have a future after a vagrant’s gift puts her in mortal danger.

“What the hell do you wear to a funeral for a homeless guy?” Charley Anderson asks herself in the novel’s first sentence, immediately clueing readers to the main character’s irreverent attitude. An Upper East Sider, Metropolitan Museum of Art Board member, and multimillionaire, 40-year-old Charley suffers physical and emotional scars from a horrifying accident years earlier. Not to the manor born, Charley feels more comfortable talking to her doorman Carlton and Ben Williams, the homeless man always stationed outside her high-rise, than to the building’s residents. Upon learning of Ben’s death, Charley claims his body, pays for his burial (she’s the only gravesite visitor), and learns he left instructions to give her an envelope containing a pencil-written partial address, a key, remnants of a checkbook, and a girl’s faded photograph. Following the interment, Charley returns home to find a letter saying no harm will come to her if she turns over the contents of Ben’s envelope to a P.O. box. Soon Carlton, who had ties to the threatening letter, is found dead, his body tortured. A race ensues to find the lock that Ben’s key fits, the girl in his pocketed photo, and the culprit who killed Carlton before harm comes to Charley. Her chauffer, Jeff Jackson; private investigator Nash Pope and his team; and banker Joe Turner offer their assistance in keeping Charley safe and solving the mystery of why the contents of Ben’s envelope were cause for murder. (Joe also helps out in the bedroom.) Accounts of Met fundraising and artist name-dropping enrich Long’s (Scars, 2018) thriller. Representatives of various ages, ethnic backgrounds, social strata, and sexual preferences form a tapestry not unexpected in New York City but welcome in a novel. The author organically inserts revelations of Charley’s backstory from the series’ origin book. But the torture scenes are gratuitous, even if lithe, blond Charley, who can blind a man “with her bare hands,” is the one dealing out the pain. Believable dialogue and occasional humor pepper the narrative. And descriptions can be compelling: “She projected authority that made whoever sat in the facing chair feel extremely small.”

A crime tale with a fierce, flawed heroine who surmounts plenty of perils and a few choice men.

Pub Date: Aug. 1, 2018

ISBN: 978-0-9991810-6-5

Page Count: 204

Publisher: Yellow City Publishing

Review Posted Online: Aug. 31, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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