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SAVED AS DRAFT

STORIES OF SELF-DISCOVERY THROUGH LETTERS & NOTES

An ambitious and engaging work of creative nonfiction.

A writer assembles a debut memoir out of unsent letters, poems, and other drafts made and saved.

For over a decade, Chan struggled to write a memoir telling her peculiarly American story: how she spent most of her first years in Guangzhou, China, with her grandparents; how she returned to New York, where she was born, to live with her mother after the latter married a dentist; how her childhood in a tony Long Island town was marred by loneliness and emotional isolation. “I started writing emails to exes and notes that never left the app on my iPhone,” she recalls in her introduction. “It was then that I realized that my life couldn’t be captured with just one story or created with only a laptop.” She presents these fragments—sometimes prose, sometimes poems—as they are, offering a fractured yet comprehensive view of her mother, her dead birth father, her ex-lovers, her friends, and finally herself. What emerges is a portrait of a girl caught between countries, cultures, and possible futures, searching for a sensible narrative of her past and present. The section “DEAR MOM” includes a short prose piece called “Clue,” which begins: “I went through your drawers when you weren’t around.” A piece in “DEAR FATHER” includes a description of finding the death certificate of the man she never knew: “It stated your cause of death: gunshot wound to the chest.” Her parents’ trauma informs and mingles with her own, and the piecemeal nature of the manuscript reflects the trickle of facts she uncovers by investigating the truth of her origins. Chan’s poetry is plainspoken with simple rhyme schemes that are often a bit awkward, as here where she writes to her first high school lover: “I thought being with you / Could make you feel a bit lighter / But you’d come to find / Another star shines brighter.” Stronger are the prose sections, which benefit both from their brevity and the powerful direct address to their subjects. The author’s personal story is compelling, and her bold choice of presentation smartly captures the meagerness of the answers life offers and the challenge of getting them down on paper before they dissolve.

An ambitious and engaging work of creative nonfiction.

Pub Date: N/A

ISBN: 978-1-5255-3515-4

Page Count: 123

Publisher: FriesenPress

Review Posted Online: May 2, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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