Loud, wild, messy, and fun—just like the best rock ’n’ roll.

NEVER MIND THE POLLACKS

Now it can be told: Elvis Presley was . . . a closet rock critic.

Satirist Pollack, who punctured the pretensions of literary criticism in The Neal Pollack Anthology of American Literature, savages rock and its sycophantic critics in his first novel. Fittingly, he is the main character in the book, which is couched—not always successfully, in terms of point of view—as a biography by the megalomaniac, lickspittle academic Paul St. Pierre. “Neal Pollack” is the first and greatest of rock critics, a superhuman consumer of booze and dope and a participant in every form of ambisexual perversity. (The larger-than-life character is clearly inspired by the late Lester Bangs, the manic, prolific subject of Jim DeRogatis’s biography Let It Blurt, while St. Pierre appears modeled after high-middle-brow author Greil Marcus.) The central conceit—that rock criticism is more important than the music itself—drives the action through the entire history of rock ’n’ roll. “Pollack” appears, Zelig-like, at every critical moment in rock to shape the music’s direction: he befriends Elvis Presley in Memphis, hits the road with neophyte folkie Bob Dylan (and beds Joan Baez), hangs out with the Velvet Underground, creates Iggy Pop’s over-the-top stage persona, roadies for Bruce Springsteen, forms the Ramones, has an affair with Patti Smith, and mentors Kurt Cobain. Along the way, his avatar, bluesman Willie “Clambone” Jefferson, invents Detroit funk and rap music. Numerous real-life critics, including Bangs, make cameo appearances. There’s even a mock discography. The loopy, sex- and drug-steeped, violent plot, though unsatisfactorily resolved, incorporates a number of dumb yet pointed parody lyrics that take the abundant wind out of rock’s soiled sails. The choicest moments come in fine-tuned mocking of rock criticism’s fatuous clichés, radically overblown praise, and flavor-of-the-month bandwagon jumping. The message: Get over it, guys, it’s only rock ’n’ roll.

Loud, wild, messy, and fun—just like the best rock ’n’ roll.

Pub Date: Oct. 1, 2003

ISBN: 0-06-052790-0

Page Count: 272

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2003

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

TRUE COLORS

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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