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THE CONFUSION

VOL. II, THE BAROQUE CYCLE

Packed with more derring-do than a dozen pirate films and with smarter, sparklier dialogue than a handful of Pulitzer...

Stephenson’s Baroque Cycle grows streamlined in a hefty but propulsive second volume.

Building on the solid foundation that he’s already laid (Quicksilver, 2003), Stephenson provides us here with what’s actually two novels, interwoven with each other and carrying us forward from 1689 to 1702. In “The Juncto,” we follow Eliza’s ever-scheming efforts to keep her head attached to her neck while playing royal politics at Versailles, but “Bonanza” is the real treat, a rousing continuation of the adventures of the Vagabond King, the ever-stupid yet quite resourceful Jack Shaftoe. When we last left the luscious Eliza, she had nicely recovered from being rescued (by Jack) from an Ottoman harem, being named to French royalty (for services rendered). Now, she’s not only trying to raise her three children, but also operates as a crafty spy, brokering a byzantine deal involving the minting of monies in London to pay the massed French-Irish army soon to cross the Channel—to take London. The Juncto itself, a learned group that includes Leibniz and Newton, pops in from time to time to debate alchemy, theology, and abstract financial theorems—sessions that, though fascinating, are blessedly shorter than in the prior volume. Meanwhile, Jack starts out as a Mediterranean galley slave, but it’s obvious that the calling won’t last. It isn’t long before he and his impossibly diverse band of slaves (the motley band in ridiculously tough situations being a Stephenson trope) have stolen a boatload of gold and are on the run. A few rough patches aside, when the book is firing on all cylinders, as in a relentlessly funny running battle through the streets of Cairo, there’s little else out there that could hope to match it.

Packed with more derring-do than a dozen pirate films and with smarter, sparklier dialogue than a handful of Pulitzer winners, this is run-and-gun adventure fiction of the most literate kind.

Pub Date: April 13, 2004

ISBN: 0-06-052386-7

Page Count: 832

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2004

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RULES OF CIVILITY

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.

Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Pub Date: July 25, 2011

ISBN: 978-0-670-02269-4

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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