bookshelf

The Checker Board Book 2

Name: The Checker Board Book 2
Author: Nedler Palaz
ISBN: 978-1460213070

LIFE'S ENDGAME

by Nedler Palaz ‧ RELEASE DATE: Feb. 14, 2013

A well-paced, if occasionally awkward, Western tale.

bookshelf

Palaz (The Checker Board: Book One, 2013) continues gunman Dave Smith’s adventures in West Texas in a dark, violent Western involving not cowboys and Indians, but railroads and businessmen.

At the end of the previous installment, Dave had found a home at the Checker Board Ranch, complete with a new father figure, Pinto Larson; Dave’s friend Sam; and a love interest, Dolores. But his haven may not last now that unscrupulous businessmen have come to exploit opportunities in West Texas. Dave’s tyrannical father is one of them, and he’s interested in taking revenge on his wayward son. When Dave’s father prevents the railroad from taking Larson’s cattle to market, Larson and the other cattlemen organize an old-fashioned cattle drive. Later, Larson and Dave must contend with outlaw bounty hunters; a legal wrangle over the deed to the Checker Board land; and a land surveying company that takes over the Checker Board hacienda. In the first book, a fight or a conversation would usually quickly resolve a problem; but here, when even the law turns against the Checker Board ranchers, there are no easy solutions. Book One often downplayed tension, but this installment is breathlessly paced, with Dave Smith facing conflict after conflict. Palaz ratchets up the excitement by constantly putting characters in harm’s way—and occasionally allowing them to be harmed. However, this second book still contains some of the first’s quirky prose; for example, the narration occasionally switches between Dave’s first-person point of view and an omniscient third-person perspective. Dave’s observations still sometimes feel overdone, as when he describes tyrannical fathers who “continued a smug life, unmindful of all the dire disintegration of two children’s lives.” Although the violence never feels gratuitous, squeamish readers may have a hard time with the body count, which is more Sam Peckinpah than John Ford.

A well-paced, if occasionally awkward, Western tale.

Pub Date: Feb. 14, 2013

ISBN: 978-1460213070

Page Count: 216

Publisher: FriesenPress

Review Posted Online: July 9, 2013

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

bookshelf

SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

bookshelf

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

bookshelf

LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

bookshelf

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.