A dead teenager must complete three tests if she wants to return to life—and her beloved girlfriend—in this supernatural romance for young adults.
Small-town Texas teen Deidra Monroe is more than ready to leave high school behind and embark on a new life with Selena, her childhood best friend–turned-girlfriend. When texting while driving leads to a deadly accident, however, Deidra’s hopes of a happily-ever-after future with her “Lenakins” seem to vanish. But after her death, Deidra encounters the Fate Weaver, who explains that she can choose to return to Earth as a spirit; then, if she passes a series of challenges, she’ll come back to life. Deidra eagerly accepts the proposal, but while she can now walk through walls and “verse”—or move forward in time—existence as a spirit is harder than she could have imagined. As Selena enters a destructive downward spiral, Deidra must learn to control her powers to save her beloved. The author capably depicts the intensities of teen romance and first love in this debut novel, the first in a planned series. The character of Deidra marries adolescent angst and rebellion with youthful optimism, making her a believable heroine who’s easy to root for, and the details and rules of the spirit world are well-imagined and clever. Comic relief is provided in the form of Shin, a fellow spirit whose sarcasm and practical jokes mask a dark secret. Yet Selena’s speedy descent into drug addiction—in a matter of weeks, she goes from smoking pot behind a frozen yogurt shop to prostituting herself for cocaine—seems lifted straight from a melodramatic after-school special. And the two leads lack depth: Readers learn little about Deidra and Selena except that they are madly in love, and Selena’s near-complete breakdown after her girlfriend’s death is hardly surprising, since she apparently lacks any life outside of Deidra. The matter-of-fact take on the characters’ sexuality is refreshing, however, and young readers with a penchant for the gothic will likely connect with this story about love that endures beyond the grave.
In this debut middle-grade novel, a lonely boy finds friendship and learns about the magic of human connection.
Defined by the large mole on his lip, 10-year-old Gregory has grown distant from his family. He is friendless and withdrawn. Then one night a strange little creature emerges from Gregory’s mole. It is riding a (quite lovable) cockroach and can change size. This is the Grimbockle. The Grimbockle—one of many Bockles, who, like Palmer Cox’s Brownies, live at the peripheries of human awareness—tends to the exoodles that bind people together. Exoodles are long, transparent, noodlelike threads and are usually invisible. Once Gregory has his eyeballs painted with Carrot Juicy, though, he can see them. He joins the Grimbockle and the roach, traveling the exoodles as if on a high-speed roller coaster. Exoodles wither and die when people don’t look after their relationships. The Grimbockle is trying to repair a particularly sickly exoodle that links a boy to his mother. Can Gregory help—and can he mend the exoodles in his own life? Schubert follows delightedly in the footsteps of Roald Dahl, opening her unfortunate young protagonist’s eyes to a previously unseen world both weird and wondrous (yet for all its outlandish magic, oddly logical). The scenario is one of riotous imagination, while the Grimbockle himself—brought sweetly to life in black-and-white illustrations by Kraft—is a sprightly and good-natured little person, full of the type of singsong infelicities found in Dahl’s beloved nonhuman characters: “Is you ever seeing glimpses of squiggles in the corners of your twinklers but then they is disappearing in a snippety blink?” “ ‘Exoodles!’ shouted the Grimbockle in triumph. ‘Sometimes, hoo-mans is getting so twisty and wound up in extra exoodles that they is feeling gloomy blue and heavy all day long.’ ” The story is perhaps too much of a parable to fully match Dahl’s template; the adventure is safer and the threats less dark. Nonetheless, readers should fall willingly and with thrilled abandon into the fizzy, fanciful world of Gregory and his Grimbockle friend.
A beautifully realized daydream; a fun yet thoughtful exploration of the complexities and possibilities hidden beneath surface appearances.
A lost bunny searches for his mother in this debut picture book.
The youngster is already lost in the beginning of Lakhiani’s version of the time-honored tale of a lost child reuniting witha parent. On a foggy day, a young rabbit finds that he doesn’t recognize where he is. He calls for his mother, but instead of her voice in response, he hears the hum of a bumblebee. The nameless little rabbit asks if the bee knows where his home is, but the bee doesn’t and sends him on to the wise owl, who “sees everything.” As the little rabbit runs through the “eerie” fog toward the owl’s tree, he meets a kind squirrel. “I’ve lost my mother….I am lost and scared,” explains the little rabbit. The squirrel leads the rabbit to the wise owl’s tree, which the rabbit climbs to ask the owl, “[C]an you see where I live?” The fog is too thick for the owl to spot little rabbit’s home, so he gives the little rabbit a snack and invites him to rest. Falling asleep, the little rabbit dreams of his mother but is awakened by the hooting, buzzing and chattering of his three new friends. Looking around, he sees his mother, who embraces him: “I will never again let you out of my sight,” she tells him. The digitized art by Adams, some of which is credited to Thinkstock, is in a cartoon style that clearly delineates the characters but includes a few anthropomorphic details—a graduation cap for the owl, spectacles for the squirrel and only four legs for the bee—that add little value. Since the story centers on the little rabbit failing to recognize where he is, the choice to make the right-hand page of every spread identical is potentially confusing; regardless, it’s repetitious. The text fails in the opposite direction: It doesn’t create the typical patterns that can help toddlers follow the story, build anticipation and learn to chime in—steps on the path to reading alone. Erratic rhythms, changing stanza lengths and rhyme schemes, and awkward syntax undercut attempts to enliven the tale with poetry.
A story with a tried-and-true plot that needs to freshen up its presentation.