WHEN THINGS START TO THINK

This book is the result of Gershenfeld’s years of research as director of the Physics and Media Group at MIT’s famous Media Lab—it lets us peek at the remarkable new digitized world he foresees. He thinks our digital world is immature and cumbersome. Personal computers are already as outmoded as typewriters; even the Internet and Worldwide Web are just emerging from their juvenile phase. The present Digital Revolution features machines that merely entertain and dazzle when what we need is a digital world accessible to everyone and interactive on all occasions. Although some of Gershenfeld’s projects’such as a “personal fabricator” that works with digitized atoms, an electronic cello, or moveable and wearable computers—may seem exotic, all aim at enhancing ordinary people’s lives. Future digital books, for example, will be interactive, containing the best of traditional and digital worlds. “Smart” money will be able to be personalized and spent in many ways. Digitized educational opportunities will make many present teaching and learning practices obsolete. We must outgrow our two-dimensional digital world, Gershenfeld exhorts, and enter the multidimensional digitized world of sounds, sights, and even touch. The fact that a desktop needs a desk and a laptop needs a lap, he says, shows we are in the formative stages. New interface paradigms will allow children and adults to create, innovate, learn, and teach. But, he claims, the digital world must be in harmony with the natural world, and we can learn from biological models. Gershenfeld’s vision of a digitized future is a humanistic one, finally: the cyberworld should enhance the real world, not replace it, and should empower people, not machines, to solve problems. This can be done only in collaboration with digital researchers, academics, and the scientific community, but input must also come from common folks. Gershenfeld continually advances the cutting edge of the Digital Revolution, while striving to humanize it. (16 b&w photos, not seen) (Author tour)

Pub Date: Jan. 1, 1999

ISBN: 0-8050-5874-5

Page Count: 224

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 1998

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Not only the definitive life, but a tour de force by a master.

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EDISON

One of history’s most prolific inventors receives his due from one of the world’s greatest biographers.

Pulitzer and National Book Award winner Morris (This Living Hand and Other Essays, 2012, etc.), who died this year, agrees that Thomas Edison (1847-1931) almost certainly said, “genius is one percent inspiration and ninety-nine percent perspiration,” and few readers of this outstanding biography will doubt that he was the quintessential workaholic. Raised in a middle-class Michigan family, Edison displayed an obsessive entrepreneurial spirit from childhood. As an adolescent, he ran a thriving business selling food and newspapers on a local railroad. Learning Morse code, he spent the Civil War as a telegrapher, impressing colleagues with his speed and superiors with his ability to improve the equipment. In 1870, he opened his own shop to produce inventions to order. By 1876, he had money to build a large laboratory in New Jersey, possibly the world’s first industrial research facility. Never a loner, Edison hired talented people to assist him. The dazzling results included the first commercially successful light bulb for which, Morris reminds readers, he invented the entire system: dynamo, wires, transformers, connections, and switches. Critics proclaim that Edison’s innovations (motion pictures, fluoroscope, rechargeable batteries, mimeograph, etc.) were merely improvements on others’ work, but this is mostly a matter of sour grapes. Alexander Graham Bell’s telephone was a clunky, short-range device until it added Edison’s carbon microphone. And his phonograph flabbergasted everyone. Humans had been making images long before Daguerre, but no one had ever reproduced sound. Morris rivetingly describes the personalities, business details, and practical uses of Edison’s inventions as well as the massive technical details of years of research and trial and error for both his triumphs and his failures. For no obvious reason, the author writes in reverse chronological order, beginning in 1920, with each of the seven following chapters backtracking a decade. It may not satisfy all readers, but it works.

Not only the definitive life, but a tour de force by a master.

Pub Date: Oct. 22, 2019

ISBN: 978-0-8129-9311-0

Page Count: 800

Publisher: Random House

Review Posted Online: July 15, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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Jahren transcends both memoir and science writing in this literary fusion of both genres.

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LAB GIRL

Award-winning scientist Jahren (Geology and Geophysics/Univ. of Hawaii) delivers a personal memoir and a paean to the natural world.

The author’s father was a physics and earth science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Both of these early influences engrossingly combine in this adroit story of a dedication to science. Jahren’s journey from struggling student to struggling scientist has the narrative tension of a novel and characters she imbues with real depth. The heroes in this tale are the plants that the author studies, and throughout, she employs her facility with words to engage her readers. We learn much along the way—e.g., how the willow tree clones itself, the courage of a seed’s first root, the symbiotic relationship between trees and fungi, and the airborne signals used by trees in their ongoing war against insects. Trees are of key interest to Jahren, and at times she waxes poetic: “Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” The author draws many parallels between her subjects and herself. This is her story, after all, and we are engaged beyond expectation as she relates her struggle in building and running laboratory after laboratory at the universities that have employed her. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student at Berkeley and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist.

Jahren transcends both memoir and science writing in this literary fusion of both genres.

Pub Date: April 5, 2016

ISBN: 978-1-101-87493-6

Page Count: 336

Publisher: Knopf

Review Posted Online: Jan. 5, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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