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SMITHSONIAN CIVIL WAR

INSIDE THE NATIONAL COLLECTION

For the 150th anniversary of the war, 150 lushly illustrated thematic essays about both the objects the various Smithsonian...

With the help of a cast of thousands, including Hyslop (Contest for California: From Spanish Colonization to the American Conquest, 2012, etc.), Kagan—former publisher of Time-Life Books and editor of other Civil War titles (Great Battles of the Civil War, 2002, etc.)—has assembled a striking collection of images with some equally clear words to accompany them. The selections range from the expected to the surprising.

Among the former are entries on Ulysses S. Grant, Robert E. Lee, John Brown, Frederick Douglass, Clara Barton, George B. McClellan, J.E.B. Stuart and William T. Sherman—and, of course, Abraham and Mary Lincoln. But surprises appear almost everywhere. The pottery of slave David Drake, plaster casts of Lincoln’s hands and face (from 1860), messages scratched inside Lincoln’s watch, the various uniforms worn throughout the conflict, various surgical devices, a recipe (sort of) for hardtack, musical instruments, a lithograph of prisoners playing baseball, a violin carried by a soldier, images of early plans for winged aircraft, the chairs and tables used at Appomattox, the coffee cup Lincoln drank from the night of his assassination, the hoods worn by those convicted of and hanged for Lincoln’s murder, stunning photos of Sojourner Truth and Harriet Tubman—these are among the many delights that await readers. Most grim are the devices and inventions whose functions were to maim and kill: firearms, mortars, the Bowie knife, the accouterments of slavery. There are also plenty of images of the wounded, the dying and the dead. With each turn of the page, there are countless grisly reminders of the things human beings are capable of doing to one another: enslavement, murder, riot, combat, bombing, and on and on.

For the 150th anniversary of the war, 150 lushly illustrated thematic essays about both the objects the various Smithsonian sites hold and the people associated with them.

Pub Date: Oct. 29, 2013

ISBN: 978-1-58834-389-5

Page Count: 368

Publisher: Smithsonian Books

Review Posted Online: Sept. 15, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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