A thrilling story of thievery and self-discovery.
In the second installment of McGarry and Ravipinto’s (Duchess of the Shallows, 2012) fantasy series, a young woman seeks to find balance between her past life as a scholar’s daughter and her new life as a rising star among criminals.
Newly accepted into the Grey, a secret society of thieves, Duchess strikes up a business partnership with Jana, a singularly gifted weaver. Jana has been forced to work on the outskirts of town after being denied entry into the weavers’ guild due to her race, class and outsider status. Duchess is certain that with Jana’s skills and her own connections and unorthodox business savvy, they can build a profitable partnership—but only if Duchess’ calculated scheme to secure Jana’s admittance into the guild is successful. Meanwhile, she also wants to employ the bodyguard services of Pollux, the empress’s former servant and lover, who’s incarcerated for acknowledging his parentage of the empress’ son. As part of an elaborate and hazardous scheme, Duchess plans to break Pollux out of jail by faking his death. As she pursues her plans, Duchess makes a few new enemies along the way. She’s also confronted with the past she left behind as the daughter of the late hero and scholar Marcus Kell, as she forms a reluctant acquaintance with Darley, a long-forgotten childhood rival and the daughter of her father’s best friend. As she uncovers secrets of days gone by, she feels torn between her well-established life as a cunning thief and clever businesswoman and the very different life she might have had. Readers unfamiliar with the series’ first book may find some details of the world’s social structure to be unclear, but the intricately plotted schemes stand alone in most other respects, and newcomers will likely find them easy to follow. The authors, through their powerful portrayals of strong-willed characters, skillfully examine and confront issues of race, class, gender and sexual orientation in a way that’s rarely, if ever, done in medieval fantasy. In a manner that’s both modern and timeless, they examine the ways that strong women forego niceties to fight for the respect so easily granted to men. Overall, the novel is an engaging account of a young woman’s quest to succeed because of her outsider status, rather than in spite of it.
A thrilling story of thievery and self-discovery.Pub Date: Sept. 21, 2013
ISBN: 978-0985014919
Page Count: 442
Publisher: Peccable Productions
Review Posted Online: Sept. 27, 2013
Kirkus Reviews Issue: Nov. 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
