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AMERICA EATS

In the Thirties, before he made his name with The Man With the Golden Arm, Algren was one of several soon-to-be-famous hungry writers hired by the WPA for the Illinois Writers Project's regional guides. Algren's subject was midwestern food customs, and he covered it with considerable charm and attention, though WW II disrupted the project and his report is just now being published. Algren sets a fluent pace from the beginning with an information-rich yet lively and almost lyrical evocation of Native American (``Indian,'' in his day) and frontier food-ways; and he keeps it up through rolling views of pancake-scoffing lumberjacks, bear-eating voyagers, homesteaders with their apple-peelin' socials, farmers' harvest potlucks, a community buffalo festival, slave food brought north, ethnic spectacles (such as an annual Serbian-American picnic for 2500), and the various specialties of different immigrant groups—all of whom, Algren observes, tend to make steady diets of their Old World special feast foods. None of this sounds like Nelson Algren as we know him, but it has far more style, vitality, and apt detail than the run of today's (or yesterday's) folksy foodlore. As for recipes, they hail from almost everywhere but run to solid European fare, with only one vegetable dish in the lot. Referring no doubt to the directions rather than to the dishes as eaten, Algren declares them ``lousy''—he simply wrote down what the cooks told him—and the more knowledgeable Louis Szathm†ry (a Hungarian-American chef, food writer, and cookbook collector who knew Algren and bought the manuscript from him shortly before his death) has, he says here, found some outlandish. Thus the whole recipe batch is appended twice: first, as Algren heard and wrote them, and then as Szathm†ry and a crew of assistants have revised them. Consider Algren's versions engaging documents and Szathm†ry's doable. (Thirty-five photographs—not seen.)

Pub Date: May 29, 1992

ISBN: 0-87745-361-6

Page Count: 144

Publisher: Univ. of Iowa

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1992

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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