The scenario is sympathetic but the conceptual bones poke too visibly through this novel’s narrative skin.

EVENING

Returning to Toronto to sit shiva for her sister, Eve finds herself entering a seven-day hiatus from life, a time in which to not only mourn, but rethink the past, ponder the future, and reevaluate the sibling lost forever.

Methodical, conscientious Tam had achieved it all. Canada’s premier anchorwoman, she also possessed “a great marriage, a wonderful daughter and a new baby, fame and fortune.” Her sister, Eve, however, chose a different, messier life plan. Fleeing Canada to travel, then settling in New York, Eve, now 35, has a semiavailable boyfriend, an incomplete dissertation about unmarried British women writers in the interwar years, and a job teaching continuing education courses. Eve’s return to the family home to grieve her sister’s untimely death comes with the added discomfort that at their final meeting, two week earlier, the sisters argued so vehemently that they never spoke again. Being back also revives Eve’s feelings for Laurence, her childhood love, who is newly single and just as desirable. Could a cozy future in Toronto be hers? Rapoport’s tightly structured novel uses the seven-day Jewish mourning ritual to delve claustrophobically into Eve’s psychology and the family history that shaped it. Parents, grandparents, the sisters' seesaw relationship, and Eve's childhood memories are repeatedly scrutinized, interrupted by occasional plot nodes like a date with Laurence and a video from Tam, prepared before her death. Was Tam as perfect as she seemed? Who envied whom? Can Eve make better choices? These questions, both familiar and overworked, will all resolve themselves neatly as suggestions of moral lapses are excused by extenuating circumstances, and a couple of surprises help other issues melt away.

The scenario is sympathetic but the conceptual bones poke too visibly through this novel’s narrative skin.

Pub Date: Sept. 1, 2020

ISBN: 978-1-64009-408-6

Page Count: 256

Publisher: Counterpoint

Review Posted Online: June 17, 2020

Kirkus Reviews Issue: July 1, 2020

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.

THE BOARDWALK BOOKSHOP

Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love.

Bree is a friendly but standoffish bookstore owner who keeps everyone she knows at arm’s length, from guys she meets in bars to her friends. Mikki is a settled-in-her-routines divorced mother of two, happily a mom, gift-shop owner, and co-parent with her ex-husband, Perry. And Ashley is a young, very-much-in-love bakery owner specializing in muffins who devotes herself to giving back to the community through a nonprofit that helps community members develop skills and find jobs. When the women meet drooling over a boardwalk storefront that none of them can afford on her own, a plan is hatched to divide the space in three, and a friendship—and business partnership—is born. An impromptu celebration on the beach at sunset with champagne becomes a weekly touchpoint to their lives as they learn more about each other and themselves. Their friendship blossoms as they help each other, offering support, hard truths, and loving backup. Author Mallery has created a delightful story of friendship between three women that also offers a variety of love stories as they fall in love, make mistakes, and figure out how to be the best—albeit still flawed—versions of themselves. The men are similarly flawed and human. While the story comes down clearly on the side of all-encompassing love, Mallery has struck a careful balance: There is just enough sex to be spicy, just enough swearing to be naughty, and just enough heartbreak to avoid being cloying.

A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.

Pub Date: May 31, 2022

ISBN: 978-0-778-38608-7

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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