by Newt Gingrich & William R. Forstchen ‧ RELEASE DATE: May 17, 2007
One-dimensional characters engage in long, sometimes eye-glazing conversations, but the “what if” is plausible.
If there had been a third strike at Pearl Harbor, would the U.S. have been out?
Departing the Civil War battlefields (Never Call Retreat, 2005, etc.), Gingrich and historian Forstchen, that tireless team of military tweakers, raise this as their latest bellicose question. Central here is the issue of command. Had Admiral Yamamoto led the attack instead of Admiral Nagumo, the effect on America might have been not merely devastating but terminal. Yamamoto was a Japanese Ulysses S. Grant: a total victory, damn-the-cost warrior. Nagumo, like George Meade, was a confirmed risk-avoider, the quintessential quit-while-you’re-ahead type. To focus attention on the what-if-ness of their thesis, the authors take license, postponing the date of infamy until the eighth. But fair is fair, and the fact is that at the end of wave two, Nagumo was way ahead. Virtually all American aircraft on the ground had been destroyed, the airfields as well, and in the harbor the great ships were “burning hulks.” One could legitimately accept the Nagumo view that the American fleet had been rendered inoperative. For Yamamoto, however, that wasn’t enough. Understanding American resiliency, he believed a third strike was vital, and a crushing fourth and fifth and so on—as many as were required to extend the war beyond Hawaii to the American mainland. This was the only way, Yamamoto contended, to cope with a no-longer-sleeping giant.
One-dimensional characters engage in long, sometimes eye-glazing conversations, but the “what if” is plausible.Pub Date: May 17, 2007
ISBN: 0-312-36350-8
Page Count: 384
Publisher: Dunne/St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2007
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by Newt Gingrich and Pete Earley
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by Newt Gingrich & Pete Earley
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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