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VALLEY FORGE

An informative if starchy novel about a crucial turning point in American history.

A you-are-there account of George Washington's—and Baron von Steuben's—stalwart efforts to whip the beaten-down Continental Army into the crack fighting force that defeated the British.

Former Speaker of the House Gingrich and Forstchen, co-authors of six previous historical novels, continue their George Washington saga (To Try Men's Souls, 2009, etc.) with the inspirational story of Valley Forge. Having been routed at Brandywine and Germantown and suffered the massacre of a unit at Paoli, Gen. Washington's Continental Army is in shambles, mentally and physically. Underfed, poorly equipped, undermanned and dispirited by the depletion of some 2,000 soldiers, they stand no chance of defeating the more disciplined and professional British infantry. Dissenting brass assailing Washington's "Caesarisms" are calling for his removal. A large number of colonialists, fighting as Loyalists, are aiding the British cause. Enter Baron Friedrich Wilhelm Ludolf Gerhard Augustin von Steuben of Germany. A battle-scarred veteran of the Seven Years' War, he has both the military expertise to upgrade the troops and the psychological astuteness to reach men whose outspokenness, sense of pride and moral outlook are distinctly American. The book, which boasts another European hero in the Marquis de Lafayette, succeeds in putting a human face on the conflict. But except in brief private moments with his loving wife Martha, in which she clearly holds rank over him, Washington is a cardboard figure. The battle scenes are solid, but the reader has to get through a lot of talk and stiff inner reflections to get to them. And while Gingrich and Forstchen effectively link past and present in showing how Washington's men, like today's soldiers, had to cope with a lack of bureaucratic support, the authors may want to remove some of the anachronistic dialogue ("he had tried to wrap his brain around English") in later editions.

An informative if starchy novel about a crucial turning point in American history.

Pub Date: Nov. 1, 2010

ISBN: 978-0-312-59107-6

Page Count: 352

Publisher: Dunne/St. Martin's

Review Posted Online: Aug. 23, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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RULES OF CIVILITY

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.

Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Pub Date: July 25, 2011

ISBN: 978-0-670-02269-4

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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WHISTLING PAST THE GRAVEYARD

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.

Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Pub Date: July 2, 2013

ISBN: 978-1-4767-0772-3

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 20, 2013

Kirkus Reviews Issue: June 15, 2013

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