A writer’s coming-of-age tale featuring an artistic mix of pride and humility.
The celebrated African novelist, playwright, and activist, born in Kenya in 1938, revisits the early experiences that convinced him he was a writer.
Wa Thiong’o (English and Comparative Literature/Univ. of California, Irvine; In the House of the Interpreter, 2015, etc.) is a genial tour guide on this journey through his early years. One theme continually appears: his gratitude for his mother, who encouraged him early and often. The author proceeds in a gentle chronology as he takes us through his home life, schooling, and his discovery that he wanted to write—and that he had a natural talent for the craft. He wrote plays in school (winning a competition) and then began freelancing for local publications, including an extensive stint with a newspaper; he eventually resigned when he realized his passions lay in fiction and drama. Throughout, there are illustrations from his youth, including photos of people and clippings of his early publications and plays. Bubbling just below the surface—sometimes on the surface—is the fierce politics of the era, which featured the end of colonialism, the rise of brutal dictators, and countless ethnic clashes. As he acknowledges, the author was fortunate to avoid trouble early, but he also alludes to later years when he was incarcerated, experiences that are likely to appear in a subsequent memoir. Throughout, wa Thiong’o is careful to credit not just his mother, but some key teachers, friends, and significant supporters. Although the text communicates a clear pride in his accomplishments, the author notes repeatedly that his successes came not just from his talent and work ethic, but also from those who believed in him. He was able to study literature and literary theory at Makerere University in Kampala, Congo, and later at the University of Leeds. Through it all, “the desire to weave dreams remained aflame.”
A writer’s coming-of-age tale featuring an artistic mix of pride and humility.Pub Date: Oct. 4, 2016
ISBN: 978-1-62097-240-3
Page Count: 256
Publisher: The New Press
Review Posted Online: July 23, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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