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OBJECT OF VIRTUE

Earnest exposition, didactic dialogue, preposterous plot: a dull debut.

Nicholson, a former specialist in Russian art at Christies, tries his hand at fiction but doesn’t stray too far from his area of expertise.

A rare figurine is about to come up for auction at Leighton’s, a swanky auction house on the Upper East Side. Russian art expert Sasha Ozerovsky recognizes it as Snegurochka, a snow maiden in a Russian fairytale, crafted by the house of Fabergé. At the tender age of seven, Sasha not only saw the figurine (in London) but correctly identified the stone (eosite) from which its wee sandals were made. Clever Sasha! His mama, the Princess Nina Ozerovsky, was so happy and proud! Who knew that fate would bring Snegurochka to him once more? But the wee sandals are not the same. The Russian émigré community of New York (ancient Manhattanites, not Brighton Beach arrivistes) is agog. Is a master forger in Russia turning out flawless fake Fabergés for modern mobster Muscovites? Should Sasha sell his soul and establish a provenance for Snegurochka? He’d better think about it over some coffee and a piece of Danish like no other: an enameled Fabergé egg made for the royal family of Denmark. But is the egg ersatz? Did Dikarinsky, man of mystery, filch Fabergé designs from Stalin’s secret stash? And whatever happened to the Ozerovsky family’s breathtaking big blue diamond?

Earnest exposition, didactic dialogue, preposterous plot: a dull debut.

Pub Date: April 12, 2004

ISBN: 0-7432-5783-9

Page Count: 280

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2004

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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