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HEART IN DIXIE

A startlingly insightful and moving tale of the power and nebulousness of the past.

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In Bouler’s debut novel, a reporter is tasked with covering the legacy of an infamous segregationist Southern politician and unravels the man’s—and the South’s—controversial past. 

It’s 1999 when word gets out that Thomas Jefferson Davis, the four-time governor of the fictional Southern state of Escambia, is about to die, and reporter Rebecca Tanner is dispatched from Atlanta to cover the story. Davis rose to political prominence in the late 1950s by advocating for a restoration of Southern pride—and for segregation. In 1968, Davis parlayed his popularity into a presidential bid and did better than any other third-party candidate in modern American history. Some view his imprint on Escambia’s politics as a stain—a last gasping effort to maintain the bigoted supremacy of the white man. However, Gordon Halt, a well-known conservative journalist from a prominent newspaper family—his father ran an important periodical and won the Pulitzer Prize—saw Davis’ efforts as an attempt to preserve a way of life that, since the Civil War, had unjustly been under attack: “Gordon’s only goal had been to influence the Davis message on two points: that neither side, North or South, had perfect knowledge of what was best for the negro people and that the South had a special culture and way of life that deserved to be respected at the same time that its faults were addressed.” Then Tanner stumbles upon old recordings of interviews conducted with Billy Trask, Davis’ close aide, which seem to reveal that the governor turned a blind eye to, and may have quietly encouraged, violently racist groups that supported his political aspirations.  Bouler adroitly weaves together two literary genres—a historical novel that’s clearly inspired by the infamous political career of Alabama Gov. George Wallace and a suspenseful crime drama. The story is full of delicately drawn characters: Halt, for example, is a staunch defender of a world that he despondently sees as vanishing, but he also squeamishly remembers the darker side of Davis as well as his own acrimonious political split with his father, who refused to support the governor. Tanner, meanwhile, is a natural reporter—intellectually curious and scrupulously rigorous—but she’s also young, a Midwesterner, and full of her own unexamined biases about the South. In the grand tradition of William Faulkner and Flannery O’Connor, Bouler anatomizes the entire history of the region, assessing its fatal flaws and its singular strengths. What emerges is not merely a sensitive, open-minded account of history, but also a profound reflection on the extraordinary difficulty of such historical remembrance. As Halt defensively observes: “It was a complicated time. I’m sure if he were not lying unconscious in that hospital, Governor Davis would say that he followed the people in that regard, more than he led them. But it’s a complex story. And it was half a century ago.” Overall, the author’s effort offers a rare combination of fictional daring and philosophical restraint. 

A startlingly insightful and moving tale of the power and nebulousness of the past. 

Pub Date: March 21, 2018

ISBN: 978-0-692-08286-7

Page Count: 338

Publisher: Escambia Press

Review Posted Online: June 5, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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