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THE INVENTION OF OSCAR WILDE

This lively biography paints a colorful portrait of the writer as public relations master and trendsetter.

An exploration of Oscar Wilde’s intentional construction of a new persona.

In his latest book about Wilde, Frankel focuses on the author’s deliberate self-reinvention, predicated on a desire for fame. Frankel contends that Wilde’s time at Oxford marked the beginnings of the Wilde we know today. “Especially determined to make a name for himself as a poet,” he shortened his name and effected a new accent. Years later, he noted, “My Irish accent was one of the many things I forgot at Oxford.” Wilde moved to London and began identifying himself as English, becoming the object of satirical attack. Soon, he embarked on his famous North American lecture tour. “He was the first modern celebrity,” writes Frankel, “a transatlantic superstar whose self-created public image went before him, and his lecture tour went hand in hand with a media frenzy accompanying his every move.” Wilde’s eccentric appearance broke gender norms and presented a stark contrast to the “bearded or moustachioed” appearance that dominated the day. Regarding the experience overseas, Wilde noted “a greater openness than Britain in matters of gender and sexuality.” In 1884, Wilde married Constance Lloyd, a union that drew speculation and gossip. As Frankel contends, Wilde was becoming “increasingly willing to act on his desires for other men,” and his fiction “was becoming increasingly provocative.” Through a close examination of his literary works, Frankel notes similarities to Wilde’s personal life. The author also explores the circumstances that led to Wilde’s conviction on counts of gross indecency. While in prison, Wilde wrote a letter that would become “one of the most important and influential works of his life.” After his release, he assumed a pseudonym and exiled himself to France, where he again found greater acceptance. After Wilde’s death, his literary executor published excerpts from the letter, the first step in a long battle for public redemption.

This lively biography paints a colorful portrait of the writer as public relations master and trendsetter.

Pub Date: June 10, 2021

ISBN: 978-1-78914-414-7

Page Count: 272

Publisher: Reaktion Books

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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