A challenging and provocative inquiry into how we see the world…now, “the point is to change it.”
A semiotics for the masses.
Mirzoeff (Media, Culture, and Communications/New York Univ.; The Right to Look, 2011, etc.) has been instrumental in establishing the field of visual culture studies. His latest book is a “toolkit” for thinking about it; he wants to help people try to make sense of images they see. Drawing on a wide range of theoretical writings nicely distilled for general readers, especially John Berger’s Ways of Seeing as well as those of Walter Benjamin, Michel Foucault, and Gilles Deleuze, Mirzoeff fashions a lucid and accessible introduction to how images shape our lives and effect change, political and social. He cites some staggering statistics: in 2011, there were some 3 trillion photographs in existence and in 2014, 1 trillion were added, mostly digital. Six billion hours of YouTube videos are watched every month. The author starts with the selfie, a form of self-portraiture once only available to the wealthy. It has created a “new global majority’s conversation with itself.” Then it’s the role of the brain in how we see images. Next, he takes on the role of images in wars and has some thought-provoking things to say about drones, which epitomize the “new moment in global visual culture.” Mirzoeff then moves on to the development of filmic screen images and railways as two material networks that produced different ways to see the world. He finishes with discussions of today’s mega-cities, climate change, and a world of political unrest and uprisings. Even though it sometimes feels like a textbook, the book offers numerous insights into ‘reading’ the significance of images in the world today and is filled with intriguing, insightful nuggets—e.g., the relationship between impressionism and the 19th century’s industrial fog or the role of street art in political protests.
A challenging and provocative inquiry into how we see the world…now, “the point is to change it.”Pub Date: April 12, 2016
ISBN: 978-0-465-09600-8
Page Count: 352
Publisher: Basic Books
Review Posted Online: Jan. 9, 2016
Kirkus Reviews Issue: Jan. 15, 2016
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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