JOE'S ODYSSEY

A nondescript man’s humdrum life becomes suddenly and unpredictably upended.

This latest novel from LaTorre introduces sad sack Joe Kerson, a disgruntled husband, regretful father of two teenagers, and beaten-down drone employee at the Soren Agency, where he hates his job, co-workers, and bosses. At the story’s outset, one of those bosses tells Joe that he must meet a prospective new client on the man’s yacht. That client, Luciano “Luke” Galdonchino, isn’t strictly on the up and up, but the agency would like to cultivate him, so Joe sets off. Joe’s path will soon intersect with a group called the Schmorde, a goofy gang of overgrown, free-spirited delinquents who live in a run-down house and enjoy various escapades. The Schmorde is led by larger-than-life figures like Ron (the brains of the outfit), the Pirate (who likes to break things), and Brute (a 260-pound enforcer). But before they enter the scene, Joe meets Luke and immediately takes in his lavish lifestyle with signature glum insights (“This Luke guy has it made, and I’m just a bum”). On the spur of the moment, Joe knocks Luke overboard and steals the boat and piles of mobster cash; impulsively recruits the Schmorde as his ramshackle crew; and embarks on a madcap sail around the world. Joe is always just barely ahead of Luke and his colleagues in the League of International Gangsters. The misadventures of Joe and the Schmorde almost immediately run off the rails.

The author piles absurdity on absurdity in the construction of his picaresque novel, and he whittles the narrative to a leanness that keeps the whole thing bubbling along at a page-turning pace. This is a broad, Rabelaisian comedy, and LaTorre has a keen eye for crafting over-the-top caricatures and seemingly mundane dialogue that’s constantly teetering on the brink of ridiculousness. The key to this kind of comedy is that the characters must be one-dimensional but not flat. Joe must be down on his luck but not repulsive; his wife and kids—who crop up to play sizable roles in the plot—must be outraged but not angry; the Schmorde must be roustabout sidekicks but not compellingly individualistic. The author comfortably shifts the tale into the fantastic (the heroes visit Phantasmic Island, presided over by President Richard Nixon and Humpty Dumpty) and then backs out of it. Luke’s increasingly shrill quest for personal revenge will have readers chuckling in the book’s second half. The story’s very gentle levels of violence and crudity never darken the humorous tone of the work. Long before readers reach the conclusion, they’ll be guessing the author has a fairly air-tight and eminently satisfying ending in mind. LaTorre deftly complicates his straightforward tale with amusing side characters like a band of inept Jamaican gangsters, and he has the storytelling skills to avoid narrative dead ends. This is a remarkably streamlined comic expedition.

A rollicking, absurdist take on the standard midlife-crisis adventure.